African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
310 p., Relates current theoretical debates about hospitality and cosmopolitanism to the actual conditions of refugees. Examines literary works by such writers as Edwidge Danticat, Nikl Payen, Kamau Brathwaite, Francisco Goldman, Julia Alvarez, Ivonne Lamazares, and Cecilia Rodriguez Milans, Jacques Derrida, Edouard Glissant, and Wilson Harris.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
286 p., Examines how texts by Diaz, Danticat, and Garcia render coloniality visible and how they offer strategies of plurality and border crossings as a means of liberation and epistemic decolonization, contesting absolute and universal positions of power. This book demonstrates that Caribbean and Western knowledge systems can be read in dialogue, which yields new strategies for solving complex problems such as intercultural conflicts and asymmetric power relations.
Lucea,Marguerite B. (Author), Stockman,Jamila K. (Author), Mana-Ay,Margarita (Author), Bertrand,Desiree (Author), Callwood,Gloria B. (Author), Coverston,Catherine R. (Author), Campbell,Doris W. (Author), and Campbell,Jacquelyn C. (Author)
Format:
Journal Article
Publication Date:
May 2013
Published:
Thousand Oaks, CA: Sage Publications
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Explores the relationship between intimate partner violence (IPV) and resource use, considering sociodemographics and aspects of IPV by presenting results from a study conducted with African American and African Caribbean women in Baltimore, Maryland, and the U.S. Virgin Islands.
Latin Americans of African descent, often referred to as Afro-Latinos, synchronized their African traditions with Latin culture, creating enduring African roots throughout Latin America. For example, Cuba's Santeria religious tradition traces its roots to Nigeria's Yoruba. Mofongo, Puerto Rico's savory fried plantain dish, is of West African origin. And the Dominican Republic's signature sound, merengue, developed from strong African rhythms. Today, New York City is the home of most of the United States' 4 million Afro-Latinos. In addition to being the center of Puerto Rican and Dominican culture in the country, New York City is also where Afro-Latinos from throughout the Diaspora reside.
Uses data on both region and country of birth for black immigrants in the United States and methodology that allows for the identification of arrival cohorts to test whether there are sending country differences in the health of black adults in the United States. Results show that African immigrants maintain their health advantage over U.S.-born black adults after more than 20 years in the United States. In contrast, black immigrants from the Caribbean who have been in the United States for more than 20 years appear to experience some downward health assimilation.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
184 p, Contents: Introduction : Island sounds in the global city / Ray Allen & Lois Wilcken -- Buscando ambiente : Puerto Rican musicians in New York City, 1917-1940 / Ruth Glasser -- Representations of New York City in Latin music / Peter Manuel -- From transplant to transnational circuit : merengue in New York / Paul Austerlitz -- Recapturing history : the Puerto Rican roots of hip hop culture / Juan Flores -- "I am happy just to be in this sweet land of liberty" : the New York city calypso craze of the 1930s and 1940s / Donald Hill -- Community dramatized, community contested : the politics of celebration in the Brooklyn carnival / Philip Kasinitz -- Steel pan grows in Brooklyn : Trinidadian music and cultural identity / Ray Allen and Les Slater -- Moving the Big Apple : Tabou combo's diasporic dreams / Gage Averill -- The changing hats of Haitian staged folklore in New York City / Lois Wilcken.;
347 p., Historically, the integration of European immigrants and their children into U.S. society has been signified by their ability to assimilate into White middle-class society and enjoy the advantages of upward mobility. However, similar privileges are not experienced by immigrants of color; most often these groups assume a minority status in the United States, which (i) creates socio-economic impediments in their journey toward upward mobility and (ii) destabilizes their deeply embedded notions of self and identity. Within this social dilemma, 1.5 and second generation U.S.-born children of Caribbean immigrants occupy a distinctive and theoretically-valuable location for researchers. Grounded in critical race theory and the notion that racial hierarchies and racism are inescapable markers of the Black experiences in the U.S., this study explores the ways in which ten children of Caribbean immigrants come to understand themselves and their place in U.S. racial discourses and conventions given the racial and ethnic socialization messages they receive at home and their experiences with institutionalized racism and racial hierarchies in U.S. schools.
108 p., Investigate how contemporary fiction written by mixed race North American authors challenges theories of cultural and racial fluidity. Specifically looks at the works of Lawrence Hill, Shani Mootoo, and Danzy Senna, because their work uses similar conditions of hybridity in identity, through the lens of cultural performance. These authors represent my politics of an inclusionary mixed race theory by representing differences amongst themselves that resolve into a focus on language, as it reflects on mixed race literature.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
304 p., Exploration of literary and cultural exchanges between the United States and the Caribbean during the roughly eighty-year period of their greatest interaction, from the close of the Spanish-American War to the Cuban Revolution. The interconnected histories of colonization, migration, slavery, and political struggle thrust writers from both regions into a vibrant literary conversation across national borders.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
304 p., Shows how such movements as Pan-Africanism, the New Negro Renaissance, and pan-American modernism have significant Caribbean roots, although the United States has often failed to recognize them, effectively "purloining" those resources without acknowledgment.
