Princeton, NJ : Films for the Humanities & Sciences
Location:
Library, University of Illinois
Notes:
In this interview with Silvia Lemus, Gabriel García Márquez discusses his life and work from a highly personal stand point. This is an episode of the television program "Tratos y retratos."
"This article is about the role of García Márquez and particularly macondismo as an ideology in establishing the canonic validity of vallenato as a folk genre from the Colombian Caribbean. García Márquez's chronicles of the early 1950's are seen as foundational texts on the aesthetics and value of vallenato; texts which influence subsequent writings on the topic. One of the main topics explored is how these texts acquire canonic validity through the success of One Hundred Years of Solitude. It is then that macondismo - the Latin Americanist celebration of magical realism - becomes an interpretive metaphor for Colombia, and vallenato music becomes the sonorous emblem of this metaphor. This occurs through García Márquez's writings, his multiple interventions in Colombian vallenato festivals, and the way vallenato is subsequently taken by a journalistic elite of the country as representing a macondian sonorous paradigm. The article explores how these different elements coalesce in constructing a genealogy of aurality for vallenato, setting the parameters of its interpretive significance through multiple processes of folklorisation of the genre."
"Twenty years after Gabriel García Márquez received the Nobel prize, Ronaldo Menéndez, literary critic and lecturer, offers a de-mythified version of his creative world."
"When reciting the many qualities of Gabriel García Márquez's writing, critics invariably include his humor. Unfortunately, when readers have to read works in translation, they often miss much of the richness of the original work, including the humor. However, Gregory Rabassa's English translation of García Márquez still provides many linguistic pleasures, not the least of which is the discovery of symbolic repetitions and of the multilayered references submerged within an apparently simple sentence-particularly those that begin the different chapters. Indeed, this joy of discovery often erupts in outright guffawing when we realize that the devilish author frequently turns the references ironically on our expectations and even, on occasion, deliberately misleads us."
Copenhagen, Denmark : Institut d'études romanes de l'Université de Copenhague
Location:
Library, University of Illinois
Related Item Details:
40(2) : 274-88
Notes:
"Este artículo presenta un análisis de 'Relato de un náufrago,' opúsculo híbrido de la primera etapa de la obra de Gabriel García Márquez, en el contexto genérico de la llamada narrativa de naufragios. Partiendo de una observación sobre el renovado interés por la literatura de naufragios, se revisan algunos ejemplos históricos de esta forma textual que hacen eco en la obra. A pesar de la presencia del naufragio como 'tema' en la literatura e historiografía hispanoamericanos, llama al atención la ausencia de un género específico para su representación narrativa, algo que sí se da en la tradición portuguesa. Es la tesis del presente trabajo que 'Relato de un náufrago' representa una reinvención de la narrativa de naufragios para las letras hispanoamericanas, poniéndola a la vez al tanto con el contexto político y literario del siglo XX."
"Presents a contextual analysis of the books 'A Very Old Man with Enormous Wings,' by Gabriel García Márquez and 'The Lesson,' by Toni Cade Bambara. Overview of the story of each book; Subjects discussed in the books; Characters in the books."
This critical essay examines the theme of love in Gabriel García Marquez's work, which the author claims is "depicted as a doom, a demonic possession, a disease that, once contracted, cannot easily be cured."