Since CLM TV debuted in NY in 2007, the program has racked up impressive ratings, showcasing Caribbean celebrities, movers and shakers and successful business entrepreneurs living in the USA and Jamaica. Recent guests include former Prime Minister of Jamaica the Hon. Edward Seaga; PM of Antigua, Hon. Baldwin Spencer; Mt. Vernon Mayor Clinton Young; Carl McCall, former NY State Comptroller; Rock & Roll Hall of Famer Jimmy Cliff; Brenda Blackmon, co-anchor of WWOR-TV; Suzanne de Passé, Co-Chairman of de Passé Jones Entertainment Group; Olympians Asafa Powell, Sherone Simpson, Veronica Campbell (Roland Hyde photo) CLM TV Executive members [Clement Hume] (3rd from L), [Anthony Turner], (4th L) & [Andrea Bullens] (6th L), host [Irwine Clare] (7th L), cameraman Jason Mason (8th L) and editor [Basil Wellington] (1st L) accepting the Congressional Proclamation at the station's 4th anniversary party in NY. Others in the picture are Jamaica's Consul General in New York Geneive [Brown-Metzger] (2nd L) , Veronica Beckford (5th L) - who presented the proclamation on behalf of Congressman [Gregory W. Meeks] - and [Stephen Hill] (R), CEO of CIN TV.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
341 p., Examines the long-running debate between the proponents of Afro-Cuban cultural manifestations and the predominantly white Cuban intelligentsia who viewed these traditions as "backward" and counter to the interests of the young Republic. Includes analyses of the work of Felipe Pichardo Moya, Alejo Carpentier, Nicolás Guillén, Emilio Ballagas, José Zacarías Tallet, Felix B. Caignet, Marcelino Arozarena, and Alfonso Camín.
Against the backdrop of a tremendous surge in ethnic identity politics and social movement organizing over the last two decades in Ecuador, two complementary musical trends are explored that have emerged in reference to the country's Afro-Ecuadorian population. The first showcases the traditional music and dance of the marimba as a symbol of Afro-Ecuadorian identity. The second features numerous popular music fusions of the marimba repertoire with genres including rock, salsa, reggaetón, and more, with broad appeal to audiences throughout the country and beyond.
[Yohan Blake], regarded by many as a potential heir to top local athletes like former world record holder Asafa Powell and current double world record holder, Usain Bolt, has been creating waves at the senior level for the past few seasons. Add the above to his impressive achievements at the junior level, the national junior record holder and tied with Nigeria's Seun Ogunkoya as the youngest sprinter to have broken the 10-second barrier, it seems Racers may well have another star in their midst.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
317 p., While a great deal of postcolonial criticism has examined how the processes of hybridity, mestizaje, creolization, and syncretism impact African diasporic literature, Oakley employs the heuristic of the "commonplace" to recast our sense of the politics of such literature. Her analysis of commonplace poetics reveals that postcolonial poetic and political moods and aspirations are far more complex than has been admitted. African Atlantic writers summon the utopian potential of Romanticism, which had been stricken by Anglo-European exclusiveness and racial entitlement, and project it as an attain.
The educational, occupational and income success of the racial minority immigrant offspring is very similar for many immigrant origins groups in the United States, Canada and Australia. Analysis reveals common patterns of high achievement for the Chinese and South Asian second generation, less for other Asian origins, and still less for those of Afro-Caribbean black origins.
344 p., Explores continuities and transformations in the construction of Afro-Cuban womanhood in Cuba between 1902 and 1958. A dynamic and evolving process, the construction of Afro-Cuban womanhood encompassed the formal and informal practices that multiple individuals--from lawmakers and professionals to intellectuals and activists to workers and their families--established and challenged through public debates and personal interactions in order to negotiate evolving systems of power. The dissertation argues that Afro-Cuban women were integral to the formation of a modern Cuban identity. Studies of pre-revolutionary Cuba dichotomize race and gender in their analyses of citizenship and national identity formation. As such, they devote insufficient attention to the role of Afro-Cuban women in engendering social transformations.
667 p., The author locates New Orleans as a cultural and cartographic heart linking the Caribbean, the United States, and Latin America into what she calls Américas du Golfe. The author traces flows of cultures and citizens(hips) through New Orleans and across national borders: physically, culturally, economically, visually, linguistically, and musically, challenging traditional nation-based scholarly frameworks, and reorienting New Orleans as a Gulf, rather than American, city.
In 1795, Father Jose Agustin Caballero presented the first project for the creation of a system of public education for all the inhabitants of the island of Cuba. It was a visionary idea, but impossible to carry out at that time. The island was a colonial possession of the Spanish Crown, and most of the population was subjected to slavery or made up of Mestizos and freed blacks, the victims of segregation and racial discrimination.
