Laurence,K. O. (Editor) and Ibarra, Jorge (Editor)
Format:
Book, Whole
Publication Date:
2011
Published:
London: Macmillan
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
644 p, Covers the period from the end of slavery to the twentieth century. Its major themes are dependent labor groups, especially emigrants from Asia, the development and diversification of local economies, and the emergence throughout the region of varying degrees of national consciousness as well as forms of government.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
The definitive group biography of the Wailers—Bob Marley, Peter Tosh, and Bunny Livingston—chronicling their rise to fame and power and offering a portrait of a seminal group during a period of exuberant cultural evolution. Over one dramatic decade, a trio of Trenchtown R&B crooners swapped their 1960s Brylcreem hairdos and two-tone suits for 1970s battle fatigues and dreadlocks to become the Wailers—one of the most influential groups in popular music. A history of the band is presented from their upbringing in the brutal slums of Kingston to their first recordings and then international superstardom. It is argued that these reggae stars offered three models for black men in the second half of the 20th century: accommodate and succeed (Marley), fight and die (Tosh), or retreat and live (Livingston). The author meets with Rastafarian elders, Obeah men, and other folk authorities as he attempts to unravel the mysteries of Jamaica's famously impenetrable culture and to offer a sophisticated understanding of Jamaican politics, heritage, race, and religion.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
259 p, In an extensive collection of essays spanning 50 years of sustained scholarship, The Negritude Moment explores the many varied aspects of Negritude - both as a concept and as a movement. F. Abiola Irele provides an account of its historical origins and examines the sociological and ideological background of themes that have preoccupied French-speaking black writers and intellectuals. His collection also includes a rare essay on the structure of Aime Cesaire's imagery in its poetic transmutation of this experience.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
336 p, Joseph Conrad, Jean Rhys, and Pramoedya Ananta Toer are writers renowned for crafting narratives of great technical skill that resonate with potent truths on the colonial condition. Yet given the generational and geographical boundaries that separated them, they are seldom considered in conjunction with one another. The Passage of Literature unites the three in a bracing comparative study that breaks away from traditional conceptions of modernism, going beyond temporal periodization and the entrenched Anglo-American framework that undergirds current scholarship.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
336 p., Traces a trio of interrelated modernist genealogies. English modernism as exemplified by Conrad's Malay trilogy, Indonesian modernism of Pramoedya's Buru quartet, and creole modernism of the Caribbean in Rhys's Good Morning, Midnight and Wide Sargasso Sea.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
304 p., Shows how such movements as Pan-Africanism, the New Negro Renaissance, and pan-American modernism have significant Caribbean roots, although the United States has often failed to recognize them, effectively "purloining" those resources without acknowledgment.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
158 p, Argues that engaging the Caribbean diaspora and the massive waves of migration from the region that have punctuated its history, involves not only understanding communities in host countries and the conflicted identities of second generation subjectivities, but also interpreting how these communities interrelate with and affect communities at home.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
241 p., Expanding on Audre Lorde's vision of embodied, even "useful," desire, Jafari S. Allen shows how black Cubans engage in acts of "erotic self-making," reinterpreting, transgressing, and potentially transforming racialized and sexualized interpellations of their identities. He illuminates intimate spaces of autonomy created by people whose multiply subaltern identities have rendered them illegible to state functionaries, and to most scholars. In everyday practices in Havana and Santiago de Cuba--including Santeria rituals, gay men's parties, hip hop concerts, the tourist-oriented sex trade, lesbian organizing, HIV education, and just hanging out--Allen highlights small but significant acts of struggle for autonomy and dignity.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
208 p., Examines the representation of violence in the work of contemporary writers and artists of the Hispanic Caribbean and its diaspora in the United States.
