"The Postmodern Novel in Latin America: Politics, Culture and the Crisis of Truth/Postmodernidades latinoamericanas: la novela postmoderna en Colombia, Venezuela, Ecuador, Perú y Bolivia/ The Modern Latin-American Novel," Chasqui
Craig analyzes the claims set for in three of Raymond L. Williams' books, that "the pre-Boom and Boom were essentially modernist but that by the mid-1970s, as the Boom started to wane, Latin American narrative began to shift toward postmodernism." Craig selects a few of García Márquez's works and explains how they are either modernist or postmodernist.