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2. Cumbia music in Colombia: Origins, transformations, and evolution of a coastal music genre
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- D'Amico,Leonardo, (Author)
- Format:
- Book, Section
- Publication Date:
- 01/01; 2013
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Collected Work: Cumbia!: Scenes of a migrant Latin American music genre.Pages: 29-48.(AN: 2013-03996).
- Notes:
- The Caribbean coastal region of Colombia is called the costa, and its inhabitants are referred to as costeños. The müsica costeña (coastal music) is a product of tri-ethnic syncretic cultural traditions including Amerindian, Spanish, and African elements, a merging that begins with the colonial period and continues into the republican period on the Caribbean Coast. Traditional music from the Colombian Caribbean coast expresses its tri-ethnic costeño identity in various vocal styles and musical forms and through its types of instruments and the way they are played. This essay describes the aspects and circumstances under which cumbia, a coastal musical genre and dance form of peasant origins characterized by an African-derived style, has spread from its local origins in the valley of the Magdalena River to acquire a Colombian national identity, becoming in a few years a transnational musical phenomenon.
3. Influencias musicales africanas: Su impacto en la música popular del Caribe
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Eli Rodríguez,Victoria (Author)
- Format:
- Journal Article
- Language:
- Spanish
- Publication Date:
- 2009
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Abaco: Revista de cultura y ciencias sociales
- Journal Title Details:
- 59: 31-40
- Notes:
- The Caribbean space is characterized by its cultural pluralism and is the scene of one of the most complex processes of syncretism and transculturation in America. Music, as an element of integration and at the same time of regional differentiation, is deeply rooted in the collective consciousness of the people of the Caribbean and is strongly associated with the identity that defines the region.
4. The color of sound: Race, religion, and music in Brazil
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Burdick,John, (Author)
- Format:
- Book, Whole
- Publication Date:
- 01/01; 2013
- Published:
- New York: New York University
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- Throughout Brazil, Afro-Brazilians face widespread racial prejudice. Many turn to religion, with Afro-Brazilians disproportionately represented among Protestants, the fastest-growing religious group in the country. Officially, Brazilian Protestants do not involve themselves in racial politics. Behind the scenes, however, the community is deeply involved in the formation of different kinds of blackness—and its engagement in racial politics is rooted in the major new cultural movement of black music. In this account, the complex ideas about race, racism, and racial identity that have grown up among Afro-Brazilians in the black music scene are explored. The author immersed himself for nearly a year in the vibrant worlds of black gospel, gospel rap, and gospel samba in order to better understand racial identity and the social effects of music. Delving into the everyday music-making practices of these scenes, it is shows how the creative process itself shapes how Afro-Brazilian artists experience and understand their racial identities. The results challenge much of what some people thought they knew about Brazil's Protestants, provoking one to think in new ways about their role in their country's struggle to combat racism.
5. When jazz was foreign: Rethinking jazz history
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Gebhardt,Nicholas, (Author)
- Format:
- Journal Article
- Publication Date:
- 01/01; 2012
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Jazzforschung/Jazz research
- Journal Title Details:
- 44 : 185-197
- Notes:
- In the 20th century jazz most of the time cannot be separated from definitions of African-American identity, American culture, Caribbean culture, and to some extent European culture. Jazz served as the metaphor for race-related differences, but also as a means to overcome these. Some of those basic premises, by which the consideration of the musicians and their music shows their cultural and historical significance within the Atlantic area, are discussed., unedited non–English abstract received by RILM] Im 20. Jahrhundert war Jazz die meiste Zeit nicht von Definitionen afroamerikanischer Identität, amerikanischer Kultur, karibischer Kultur und teilweise auch europäischer Kultur zu trennen. Jazz diente hierbei als Metapher für rassenbedingte Unterschiede, aber auch als Mittel, diese zu überwinden. Der Aufsatz thematisiert einige jener grundlegenden Prämissen, durch die die Betrachtung der Musiker und ihrer Musik auch deren kulturgeschichtliche Signifikanz innerhalb des atlantischen Raumes aufzeigt.