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2. Inaugural World Creole Festival a hit
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Lee,Simon (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1997-12-31
- Published:
- Miami, FL
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Caribbean Today
- Journal Title Details:
- 1 : 17
- Notes:
- Dominicans fete late, and even after three nights of nonstop music there must be upwards of 4,000 people waiting to hear the last band. As Haiti's most famous kompa group - Tabou Combo - takes the stage, exhaustion is dispelled by their relaxed "C'est Tambou", an invitation to a dancing-at-dawn session which continues long after the sun has climbed into the sky. The Haitians in the press box break into spontaneous dance, some straying on-stage; couples slip into each others' arms, moving in effortless elegance, and Dominica's minister of tourism, Norris Prevost, inquires whether this is not the best party I've ever seen. Haiti's Magnum Band with St. Lucian Luther Francois on sax blasted away the wee-hours fatigue with flowing funk and konpa over vodou rhythms and soaring lyrical soukous guitar. It was nearly 7:30 a.m. when Guadeloupe's Taxi Creole ended a tight, driving set which drew on zouk, salsa, merengue, beguine, reggae, jazz and funk.
3. Lincoln Center rooting for the Caribbean
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Lee,Simon (Author)
- Format:
- Newspaper Article
- Publication Date:
- 2000-09-30
- Published:
- Miami, FL
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Caribbean Today
- Journal Title Details:
- 8 : 8
- Notes:
- The Mystic Revelation of Rastafari, a group of Nyabinghi ceremonial drummers founded by the legendary Count Ossie in the 1950s, is not only making its New York debut but is raising the curtain on the Lincoln Center for the Performing Arts' "Caribbean Roots: Caribbean Routes" festival. Chris Combette, who has been collaborating with Mungal Patasar on several tracks for his new album, opened the show with his beautiful fusion of Caribbean styles - samba, salsa, soca, bossa nova, reggae and zouk sweeping over the auditorium like warm waves. Based in French Guiana, bordering Brazil, Combette has soaked up the melodies of the region, while his lyrics address the nostalgia or alienation of the immigrant, and racist murder in the metropole. Beneath his sinuous, sometimes ethereal music lurked incisive Kwéyol irony and melancholy metaphors. It was left to Kali and his banjo to bring down the curtain on the festival with his brilliant reworking of Martiniquan traditional music, mazurk, biguine, chouval bwa, gwo ka (from Guadeloupe) with reggae, funk and jazz. It was good to hear St. Lucian Luther François, one of the Caribbean's foremost contemporary composers and sax players, adding punch to this excellent band and the finale of a significant festival for Caribbean music.
4. Music Reviews
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Duperly,Howard 'Flagga' (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1999-09-30
- Published:
- Miami, FL
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Caribbean Today
- Journal Title Details:
- 10 : 15
- Notes:
- There's tendency among some reggae fans to tune out most of today's dancehall deejays, dismissing them as untalented shysters. While that's an essentially justifiable reaction, there are deejays - mostly of the conscious variety - who are worthy of our attention. One in particular is Prezident Brown. Tune out his new release - To Jah Only - and you'll deprive yourself of a relevant body of work that's likely to sway and have you listening for more of this style. To Jah Only is a neat package that adroitly intertwines the traditional with the contemporary. The title track, which leads the album, gently combines slow guitar picks with Nyabinghi drumming, amid Brown's assiduous delivery of some trusty Rasta melodies. The familiar Duppy Conqueror rhythm by Bob Marley is acquired on In This Life, and it's superimposed with a message that counsels mankind about his covetous ways. This theme is also continued with Pomps and Pride. One of the livelier tracks is Micro Chip, and Brown does a nice job keeping pace with a very demanding tempo. But the strongest is undoubtedly Faith - an instant classic that unveils Brown's versatility and true talent. His encyclopedic expressionism sets him apart from the ordinary, and he's truly one of our best links between the past and the present. [Dean Fraser]'s latest album - Retrospect - is a delightfully appetizing reminiscence of classic hits that are masterfully reproduced for everyone's listening pleasure. With 12 tracks, this album takes you back to mento, through ska, roots, and up to the present.
5. Prophet and loss: A Bob Marley documentary forms the centrepiece of a Channel 4 special series on the Caribbean
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Pinkerton,Lee (Author)
- Format:
- Newspaper Article
- Publication Date:
- 2000-07-31
- Published:
- London, UK
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- The Voice
- Journal Title Details:
- 919 : 57
- Notes:
- Prophet and loss: A [Bob Marley] documentary forms the centrepiece of a Channel 4 special series on the Caribbean The music continues on August 7 with Top Ten: Caribbean, a celebration of Latino, reggae, ragga, hip-hop and everything in between with the 10 most successful Caribbean chart acts in pop history. Representing the lighter side of Caribbean life is rising star Richard Blackwood in a one-off Caribbean special of his entertainment series, The Richard Blackwood Show.
6. Reggae fever in the Caribbean
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Springer,Bevan (Author)
- Format:
- Newspaper Article
- Publication Date:
- Feb 28-Mar 5, 2008
- Published:
- New York, NY
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- New York Amsterdam News
- Journal Title Details:
- 10 : 14
- Notes:
- The month's activities organized include a Global Reggae Conference hosted at the University of the West Indies' Mona Campus, featuring musician Gilberto Gil, now Brazil's minister of culture, and a Reggae Film Festival hosted by Jamaica's Ministry of Information and Culture.
7. Reggae on the border: The possibilities of a frontera soundscape
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Alvarez,Luis, (Author)
- Format:
- Book, Section
- Publication Date:
- 01/01; 2011
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Collected Work: Transnational encounters: Music and performance at the U.S.-Mexico border.Pages: 19-40.(AN: 2011-06824).
- Notes:
- Examines the political and cultural possibilities and limits of the wide-ranging reggae scene that has emerged along both sides of the U.S./Mexico border since the 1990s. It investigates why and how members of seemingly disparate border communities, including Mexicanas/os, Chicanas/os, and Native Americans, find common social and political ground playing Afro-Caribbean inspired music. It also interrogates how people living in the U.S.-Mexico borderlands have responded to the impact of economic and political globalization by using reggae to fashion multiethnic and post-national political formations and social relationships at the grassroots.
8. Reggae: The steady rock of black Jamaica
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Kopkind,Andrew, (Author)
- Format:
- Book, Section
- Publication Date:
- 01/01; 2013
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Collected Work: The rock history reader.Pages: 149-151.(AN: 2013-00127).
- Notes:
- Reprint of the article cited as RILM ref]2007-07178/ref].
9. Solid foundation: An oral history of reggae
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Katz,David, (Author)
- Format:
- Book, Whole
- Publication Date:
- 01/01; 2012
- Published:
- London: Jawbone Press
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- The first edition is abstracted as RILM ref]2003-02263/ref].
10. The natural mystics: Marley, Tosh, and Wailer
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Grant,Colin, (Author)
- Format:
- Book, Whole
- Publication Date:
- 01/01; 2011
- Published:
- New York: W.W. Norton
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- The definitive group biography of the Wailers—Bob Marley, Peter Tosh, and Bunny Livingston—chronicling their rise to fame and power and offering a portrait of a seminal group during a period of exuberant cultural evolution. Over one dramatic decade, a trio of Trenchtown R&B crooners swapped their 1960s Brylcreem hairdos and two-tone suits for 1970s battle fatigues and dreadlocks to become the Wailers—one of the most influential groups in popular music. A history of the band is presented from their upbringing in the brutal slums of Kingston to their first recordings and then international superstardom. It is argued that these reggae stars offered three models for black men in the second half of the 20th century: accommodate and succeed (Marley), fight and die (Tosh), or retreat and live (Livingston). The author meets with Rastafarian elders, Obeah men, and other folk authorities as he attempts to unravel the mysteries of Jamaica's famously impenetrable culture and to offer a sophisticated understanding of Jamaican politics, heritage, race, and religion.