La Habana, Cuba: Ministerio de Educación, Dirección de Cultura
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
477 p, Examines the musical traditions of the African population in Cuba, including rhythmic and melodic features, instrumentation, and vocal characteristics.
Special Religion issue, Includes Martha Ellen Davis, "Diasporal dimensions of Dominican folk religion and music"; Loren Y. Kajikawa, D'Angelo's voodoo technology: African cultural memory and the ritual of popular music consumption"; Joseph M. Murphy, "'Chango 'ta vein'/chango has come': Spiritual embodiment in the Afro-Cuban ceremony, bembé"; Teresa L. Reed, "Shared possessions: Black Pentecostals, Afro-Caribbeans, and sacred music"; and Rebecca Sager, "Transcendence through aesthetic experience: Divining a common wellspring under conflicting Caribbean and African American religious value systems."
Grosléziat,Chantal (Editor), Mindy,Paul (Music compiler), and Corvaisier,Laurent (Illustrator)
Format:
Book, Whole
Publication Date:
2012
Published:
Montréal: Secret Mountain
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 vol. (unpaged) + 1 sound disc, Collection celebrates life’s passages and various island rituals in the tropical isles of Guadeloupe, Haiti, Martinique, and Reunion. Lyrics are reproduced in the original French Creole dialects and translated into English, followed by notes on the origin and cultural context of each song.
Chicago, IL: Columbia College Chicago, Center for Black Music Research
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Many of the song texts are in creole or ritual languages., 214 sound discs (digital) + 2 v. of log sheets, Field recordings, primarily of music, made as part of Bilby's ethnographic and ethnomusicological fieldwork. Jamaica and French Guiana are particularly well represented, but the collection also includes recordings from Antigua, Bahamas, Belize, Colombia, Costa Rica, Dominica, Guadeloupe, St. Vincent, Suriname, Tobago, Trinidad, and the U. S. Virgin Islands, as well as Cuban music recorded in New York.
The group (JFS), which was founded by the late, Dr. Olive Lewin, OD, one of the world's foremost musicologist and authority on Jamaican folklore, will launch Jamstar's ambitious World Series of Concerts project with three performances in New York City from October 11 thru' 13. Performances are scheduled for St. John's University (Queens), On Friday, October 11; Hunter College (Manhattan), on Saturday, October 12; and Calvary Tabernacle, Hempstead, on Sunday, October 13. Billed as "The Jamaican Folk & Reggae Essay Competition", the project is a Grade based initiative, targeting Elementary through High School age students, and focuses on exploring aspects of Jamaica's Folk and Reggae music. Two of the recommended reference texts are books by the late Dr. Olive Lewin, "Rock It Come Over, The Story of Jamaican Folk Music", and "Roots of Reggae" by Dr. Ptah Shabazz.
