African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
194p., Highlights connections among the production, performance, and reception of popular music at critical historical junctures in the late 19th and 20th centuries. The author sifts different origins and styles to place socio-musical movements into a larger historical framework.
The group (JFS), which was founded by the late, Dr. Olive Lewin, OD, one of the world's foremost musicologist and authority on Jamaican folklore, will launch Jamstar's ambitious World Series of Concerts project with three performances in New York City from October 11 thru' 13. Performances are scheduled for St. John's University (Queens), On Friday, October 11; Hunter College (Manhattan), on Saturday, October 12; and Calvary Tabernacle, Hempstead, on Sunday, October 13. Billed as "The Jamaican Folk & Reggae Essay Competition", the project is a Grade based initiative, targeting Elementary through High School age students, and focuses on exploring aspects of Jamaica's Folk and Reggae music. Two of the recommended reference texts are books by the late Dr. Olive Lewin, "Rock It Come Over, The Story of Jamaican Folk Music", and "Roots of Reggae" by Dr. Ptah Shabazz.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
614 p, Cuba has been central to popular music developments throughout the Caribbean, Latin America, the United States and Europe. Unfortunately, no one has ever attempted to survey the extensive literature on the island's music, in particular the vernacular contributions of its Afro-Cuban population. This unprecedented bibliographic guide attempts to do just that. Ranging from the 19th century to early 2009 it offers almost 5000 entries on all of the islandâ¿¿s main genre families, e.g. Cancion Cubana, Danzon, Son, Rumba, and Sacred Musics (Santeria, Palo, Abakua, and Arara), as well as such recent developments as timba, rap and regueton.
Special Religion issue, Includes Martha Ellen Davis, "Diasporal dimensions of Dominican folk religion and music"; Loren Y. Kajikawa, D'Angelo's voodoo technology: African cultural memory and the ritual of popular music consumption"; Joseph M. Murphy, "'Chango 'ta vein'/chango has come': Spiritual embodiment in the Afro-Cuban ceremony, bembé"; Teresa L. Reed, "Shared possessions: Black Pentecostals, Afro-Caribbeans, and sacred music"; and Rebecca Sager, "Transcendence through aesthetic experience: Divining a common wellspring under conflicting Caribbean and African American religious value systems."
Grosléziat,Chantal (Editor), Mindy,Paul (Music compiler), and Corvaisier,Laurent (Illustrator)
Format:
Book, Whole
Publication Date:
2012
Published:
Montréal: Secret Mountain
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 vol. (unpaged) + 1 sound disc, Collection celebrates life’s passages and various island rituals in the tropical isles of Guadeloupe, Haiti, Martinique, and Reunion. Lyrics are reproduced in the original French Creole dialects and translated into English, followed by notes on the origin and cultural context of each song.
Blumenfeld,Larry (Editor) and Wentz,Brooke (Music compiler)
Format:
Sound Recording
Language:
Various languages.
Publication Date:
1996
Published:
Roslyn, N.Y.: Ellipsis Arts
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
2 sound discs: digital; 4 3/4 in. + 1 booklet (128 p.), Celebrating the world's indigenous musical traditions, this book-and-music package spans all seven continents. Includes Garifuna, Australian aborigines, etc. Field recordings of folk music, songs, and chants; Principally excerpts from previously released recordings; discographic history given on disc container. Issued in container with booklet Voices of forgotten worlds: traditional music of indigenous people compiled and edited by Larry Blumenfeld. Music compiled by Brooke Wentz.
