Chabela Ramírez, the black singer and activist born in Montevideo in 1958, is a singular personality of candombe, the only multi-form Afro-Uruguayan musical genre. Retracing her trajectory leads us through the history of Uruguay's black community (10% of the total population) and candombe, with particular attention on how this musical expression went from devalued practice to national heritage in a country deeply marked by a Eurocentric ideology. Ramírez founded and gave voice, with Afrogama, the choir and dance group that she leads, to a unique aesthetic thought that brought meaning to candombe via the field of Afro-religions (Umbanda and Batuque).
Mörner,Magnus (Author) and Conference on Race and Class in Latin America (1965: New York, NY.)
Format:
Book, Whole
Publication Date:
1970
Published:
New York: Columbia University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
309 p, Includes Gonzalo Aquirre Beltrán's "The abolition of slavery and its aftermath. The integration of the Negro into the national society of Mexico"; Carlos M. Rama's "The passing of the Afro-Uruguayans from caste society into class society"; Richard Graham's "Action and ideas in the abolitionist movement in Brazil"; Harry Hoetink's "The Dominican Republic in the nineteenth century: some notes on stratefication, immigration, and race"; and Florestan Fernandes' "Immigration and race relations in São Paulo";
