In 2008, a new style in Jamaican dancehall music and dance culture known as "Daggering" emerged. Daggering music and dancing, which included lyrics that graphically referred to sexual activities and a dance which has been described as "dry sex" on the dance floor, took Jamaica by storm. The Broadcasting Commission of Jamaica was forced to crack down on broadcasting and cable stations preventing them from playing any Daggering content. This article focuses on the subsequent clash between the government and the dancehall, and seeks to identify an appropriate method for monitoring and enforcing these new standards.
"It's different because there is nothing like it," she said. "Hollywood wants the high drama, the fight, the ridiculous conflicts, shock behavior. We bring none of that to the production.
Goodbye Mister Fish 'n' CHIPS: TV chef [Ainsley Harriott] is bringing the. joys of Caribbean cuisine to the nation "I love Caribbean cookery and I think it's very important to get that message across because a lot of Afro-Caribbean people have been living here for almost a generation now," says Ainsley, who lives in south London with his Yorkshire wife Claire and their children Jimmy, 6, and Madeleine, 3. Ainsley is to some the saviour we have been waiting for. The Good Food Show special events steward, Tony Wright, called him "phenomenal" staing: "That's the only word I can use. As soon as Ainsley did ackee and saltfish, I said, `Yes!'. He didn't do the traditional stuff. He did something Caribbean."
Watching Caryl Phillips' excellent The Final Passage was a difficult process. Not just because it was a brilliant exploration of the last 30 years or so, showing the achievements and limitations of the Windrush generation, but, more importantly, because it exposed how we have been starved of intelligent, well-made Black programmes which offer us the possibility of serious reflection on our condition in this country. Phillips achieves a wonderful thing in his drama - he converts all our individual stories of moving to Britain and setting up home into a mass celebration of common history. The Final Passage thus becomes a template of sorts of the recent beginnings of Black Britain. Whether we are from an African or Caribbean background, there were scenes and emotions which we all recognised from our own histories. Control Many people didn't like The Final Passage because they felt that it yet again reinforced the negative view of Black men. But they need to be reminded that this is a work of fiction, not reality. And Caryl Phillips' main achievement in the series is to give us, in [Michael], the first truly great tragic-heroic Black character on British television. The lessons of his life should resonate in our time - a sort of angled mirror. He will remain a constant reminder of the need to bury the `colonial creation' - the Black man who is only able to manifest himself through his dreams rather than through the reality of day-to-day action.
Born in Haiti, Ms. Jarvelle was raised in Brooklyn, N.Y., and attended the best schools and colleges. Her mother, Yanissa Elie, nicknamed, "Lola," was a beautiful black woman, whose glamorous voice attracted tourists and VIP's visiting Haiti in the late fifties. She used to sing when tourism in Haiti was booming. Ms. Jarvelle shares a very similar soul with her mom. However, she is not committed to singing, but rather to serving. As she often says, "You waste your life when [you're] not serving others. Changing the attitudes of Haitians in New York, motivating others to help their community and helping people to be themselves, such are her dreams and challenges.
-, Born in Haiti, she was raised in Brooklyn, NY, attended the best school and college. Her mother, Yanissa Elie, nicknamed Lola, a beautiful Black whose the glamour attracted tourists and VIP visiting Haiti in the late fifties, used to sing when Haiti was booming. Ms Jarvelle shares with her mom a very sensitive soul. But, she is committed not to singing and dancing, but to serving. You waste your life when not helping others". Ms Jarvelle does not want the Haitian society to repeat itself the way she did in Haiti. Motivating, making people being themselves. Such are her challenge and dreams.
