Much of the music literature of churches in the Philippines was destroyed during World War II, particularly in Manila. Marcelo Adonay (1848–1928) was one of the major figures in Philippine music of the 19th century European traditions and styles of choral music prevailed in Latin America; however, the period of 1810 to 1830 witnessed efforts towards independence from Spain in many areas, including music. Unfortunately, this independence weakened some of the institutions that supported and produced music, including the church. A brief survey is provided of sacred, theatrical, and civic choral music (the major venues, composers, organizations, works, and developments) in Mexico, Central America, the Caribbean, Venezuela, the Andes region, the Rioplatense region, Brazil, and Spain.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
282 p., Prior tO 1640, When the Regular Slave Trade to New Spain ended, colonial Mexico was the second largest importer of slaves in the Americas. Even so, slavery never supplanted indigenous labor in the colony, and by the second half of the 17th century there were more free Afromexicans than slaves in Mexico.
Gracia, Azucena (author), Leat, Philip (author), Revoredo-Giha, Cesar (author), Fischer, Christian (author), Hartmann, Monika (author), Reynolds, Nikolai (author), Henchion, Maeve (author), and Miguel Albisu, Luis (author)
Format:
Book chapter
Publication Date:
2010
Published:
International
Location:
Agricultural Communications Documentation Center, Funk Library, University of Illinois Document Number: C36031
Notes:
Pages 119-134 in Christian Fischer and Monika Hartmann (eds.), Agri-food chain relationships. CAB International, Oxford, England. 288 pages.
