Focuses on specific aspects of the independent, creative network of musicians who in the late 1960s and early 1970s bonded together as the nueva canción or nueva canción movement across the Latin American continent, the Caribbean, and Spain. The author traces nueva canción through various key phrases. Nueva canción describes a music enmeshed within historical circumstances which included: the forging of revolutionary culture in Cuba; the coming together of political parties to form a coalition to elect the first ever socialist president in Chile in 1970; resistance to brutal Latin American dictatorships; and the struggle for new democracies. The music was often referred to by different names in different countries. It was known as: nueva cancionero (new song book) in Argentina; nueva canción (new song) in Chile and Peru; nueva trova (new song) in Cuba; and volcanto (volcanic song) in Nicaragua. Nueva canción musicians never saw their music as protest song. Nueva canción was regarded as a social force in itself and a key resource for creating collective bonds. This movement in its various forms was an emblematic music of the 1960s, 1970s, and 1980s. Functioning as both a national and international music, nueva canción has become part of the active memory of this period. Its potent legacy can be seen in the fact that many high-profile commercial singers today continue to be influenced by it: nueva canción continues to be perceived as a legitimate, unifying, and active force for peaceful change.
Madrid: Consejo Superior de Investigaciones Científicas, 1953-1958.
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
2 v., "It includes what is probably the most reliable version of the Laws of Burgos in print (the comparable text of the New Laws appears, however, only in fragmentary form). It fills lacunae in the details of imperial policies for encomienda, native labor, slavery, cacicazgos, and ethnosocial relationships, especially of the latter sixteenth century." --Charles Gibson (JSTOR)
Fradera,Josep Maria (Editor) and Schmidt-Nowara,Christopher (Editor)
Format:
Book, Edited
Publication Date:
2013
Published:
New York: Berghahn Books
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
340 p, African slavery was pervasive in Spain's Atlantic empire yet remained in the margins of the imperial economy until the end of the eighteenth century when the plantation revolution in the Caribbean colonies put the slave traffic and the plantation at the center of colonial exploitation and conflict. The international group of scholars brought together in this volume explain Spain's role as a colonial pioneer in the Atlantic world and its latecomer status as a slave-trading, plantation-based empire.
One way the Spanish used to make money like the British in New York was to rent slaves which was called Half Slavery to Freedom. In New York, the master would allow the slave to be free as long as the slave paid a yearly fee to the master. In the Spanish possessions, a slave master would rent his slaves to people who had need of their labor. This means the master did not have to be accountable, or responsible for the upkeep of the slave or the actions of the slave. Either way it was dehumanizing for the slave.
Much of the music literature of churches in the Philippines was destroyed during World War II, particularly in Manila. Marcelo Adonay (1848–1928) was one of the major figures in Philippine music of the 19th century European traditions and styles of choral music prevailed in Latin America; however, the period of 1810 to 1830 witnessed efforts towards independence from Spain in many areas, including music. Unfortunately, this independence weakened some of the institutions that supported and produced music, including the church. A brief survey is provided of sacred, theatrical, and civic choral music (the major venues, composers, organizations, works, and developments) in Mexico, Central America, the Caribbean, Venezuela, the Andes region, the Rioplatense region, Brazil, and Spain.
