African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
221 p., Chronicling the period from the abolition of slavery in 1888 to the start of Brazil's military regime in 1964, Romo uncovers how the state's nonwhite majority moved from being a source of embarrassment to being a critical component of Bahia's identity.
78 p., Examines the ways in which the African American identity articulates and constructs itself through dance. Norman Bryson, an art historian, suggests that approaches from art history, film and comparative literature are as well applicable to the field of dance research. Therefore, as his main critical lens and a theoretical foundation, the author adopts the analytical approach developed by Erwin Panofsky, an art historian and a proponent of integrated critical approach, much like the one suggested by Bryson. Demonstrates that Erwin Panofsky's iconology, when applied as a research method, can make valuable contributions to the field of Dance Studies. Uses Katherine Dunham's original recordings of diaspora dances of the Caribbean and her modern dance choreography titled L'Ag'Ya to look for evidence for the paradigm shift from "primitive" to "diaspora" in representation of Black identity in dance also with the aim of detecting the elements that produce cultural difference in dance.
Glissant,Edouard (Author) and Dash,J. Michael (Translator)
Format:
Book, Whole
Language:
eng
Publication Date:
1989
Published:
Charlottesville: University Press of Virginia
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Translation of: Le discours antillais., 272 p., Edouard Glissant's Caribbean Discourse is an unflaggingly ambitious attempt to read the Caribbean and the New World experience, not as a response to fixed, univocal meaning imposed by the past, but as an infinitely varied, dauntingly inexhaustible text.
In an effort to push the literature on music and collective identity to examine how the cognitive dimension of collective identity gets constructed, a study shifts away from the customary focus on lyrics, toward an analysis of the everyday discursive contexts of music scenes, such as rehearsals, informal commentary, and training seminars. By examining such contexts within the black gospel music scene in São Paulo, Brazil, the study discovers that a complex ideology of racial identity, infused with ideas drawn from North American history and the Bible, circulates within the scene.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
365 p, Discussion of the experience of blackness and cultural difference, black political mobilization, and state responses to Afro-Latin activism throughout Latin America. Its thematic organization and holistic approach set it apart as the most comprehensive and up-to-date survey of these populations and the issues they face currently available.
Discusses 1) the concept of blackness in Latin America during the fifteenth century and gives historical background on how the concept of blacks and Indians evolved in Latin America; 2) the social construction of race by West European colonizers in Latin America during the early sixteenth century; and 3) the indigenous concept of blackness among indigenous cultures in latin America.
Adekunle,Julius (Editor) and Williams,Hettie V. (Editor)
Format:
Book, Edited
Publication Date:
2013
Published:
Durham, NC: Carolina Academic Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
334 p., A volume of 16 essays analyzing the issues of blackness and identity of the African Diaspora in global perspective. Focuses on the United States, the Caribbean, and Latin America.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
310 p., Explores aboriginal and Creole identities in Guyanese society. Reveals how Creoles, though unable to usurp the place of aboriginals as First Peoples in the New World, nonetheless managed to introduce a new, more socially viable definition of belonging, through labor. The very reason for bringing enslaved and indentured workers into Caribbean labor became the organizing principle for Creoles' new identities.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
211 p., Based on interviews with over one hundred Jamaicans in New York, this book presents first-hand accounts of racial experiences among West Indian immigrants living in New York City. It provides an in-depth view of what it means to be West Indian in the United States.
