African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
p. 570
Notes:
"This dissertation explores the discursive and material practices that Afro-Antilleans in the Archipelago of Bocas del Toro (Panama) employ to craft and assert their identity for tourist consumption. In participating in the transnational circuits of tourism, Panamanian Afro-Antilleans stage a complex and subtle cultural politics vis-à-vis the state and Panama's multicultural society. The transnational process that is tourism produces rather than reduces difference. This production must be understood historically and with respect to national racial policies." (author)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
p. 180
Notes:
Study investigated the degree to which national culture correlates with transformational leadership practices in Jamaica, Bahamas, Panama, and the United States
International: University of Arkansas, Fayetteville, and Winrock International Institute for Agricultural Development
Location:
Agricultural Communications Documentation Center, Funk Library, University of Illinois Box: KerryByrnes1 Document Number: D00346
Notes:
Kerry J. Byrnes Collection, Pages 197-216 in Proceedings of the Farming Systems Research/Extension Symposium hosted by the University of Arkansas and Winrock International Institute for Agricultural Development, Fayetteville, Arkansas, October 9-12, 1988. Farming Systems Research Paper Series. Paper No. 17. 395 pages.
While the role of Caribbean immigrants in the “New Negro” movement in the United States is now well established, the concurrent militancy of black Caribbean workers in Panama is much less understood. Examines the rise and fall of Afro-Antillano militancy in both the U.S.-controlled Canal Zone and the Republic of Panama from 1914–1921.
The community of Caribbean people in Panama represents the presence of another identity within Hispanic space, one contrasting with the mestizo national identity of that space. Over time these Caribbean migrants built their own entities and structures to ensure their livelihood and wellbeing. This article examines on the one major Caribbean Panamanian organization that is most prominent today, the Sociedad de Amigos del Museo Afroantillano de Panama (Society of Friends of the Afro-Antillean Museum of Panama) or SAMAAP.
Discusses the multiple meanings of music for Panamanian Afro-Antillean identity in the Caribbean, by placing musical genres such as calypso, soka, and reggae, in the context of tourism development
