The African heritage hypothesis posits that the substantial African ancestry of Puerto Ricans explains why this group is less segregated from African-Americans than non-Hispanic whites. This pattern is unlike that of other Hispanic groups, who have been found to be highly segregated from African-Americans but modestly segregated from whites. The research presented here shows that Dominicans, another Hispanic group with substantial African ancestry, are also less segregated from African-Americans than whites. Dominicans, therefore, also appear to be conforming to the African heritage thesis by residing in neighborhoods with greater proximity to African-Americans than whites.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
322 p., Kweh-kweh is an African Guyanese pre-wedding ritual system that emerged among African slaves in Guyana and historically functioned as a medium for music-centered matrimonial instruction for soon-to-be-married couples. The ritual is executed on the eve of a wedding ceremony and encompasses music, dance, proverbial speech, and a plethora of ritual practices that allow participants to chide, praise, and instruct the bride and groom and their nations (relatives, friends, and representatives) on matters of marriage. However, kweh-kweh performances also reveal embedded values of the Guyanese community, such as what it means to be a "real man" or a "proper woman." African Guyanese hold conflicting views on kweh-kweh, but at the onset of a wedding, they devise ways to celebrate kweh-kweh, a "pagan" ritual they also regard "our culture." This work demonstrates how African Guyanese manipulate the kweh-kweh ritual, their religious values, and themselves to articulate the complex of their identities, particularly racial and gendered identities.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
273 p, Born of the union between African maroons and the Island Carib on colonial St. Vincent, and later exiled to Honduras, the Garifuna way of life combines elements of African, Island Carib, and colonial European culture. Beginning in the 1940s, this cultural matrix became even more complex as Garifuna began migrating to the United States, forming communities in the cities of New York, New Orleans, and Los Angeles. Moving between a village on the Caribbean coast of Honduras and the New York City neighborhoods of the South Bronx and Harlem, England traces the daily lives, experiences, and grassroots organizing of the Garifuna.
Kasinitz,Philip (Author), Mollenkopf,John M. (Author), and Waters,Mary C. (Author)
Format:
Book, Whole
Publication Date:
2004
Published:
New York: Russell Sage Foundation
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
419 p, Includes Nancy López' "Unraveling the race-gender gap in education: second-generation Dominican men's high school experiences"; Nicole P. Marwell's "Ethnic and postethnic politics in New York City: the Dominican second generation"; Sherri-Ann P. Butterfield's "'We're just black': the racial and ethnic identities of second-generation West Indians in New York" /; and Natasha Warikoo's "Cosmopolitan ethnicity: second-generation Indo-Caribbean identities"
Eastern Caribbean nationals will feel at home, as their region's music seems to dominate the lineup. Brother Marvin, Singing Sandra and Crazy are all from T&T. Each offering a different style of delivery, they represent calypso's many flavors. To add to that element, ADLIB Steel Orchestra will add instrumentation to the islands' unique genre. Winners of last year's steel band and calypso competitions at the West Indian-American Day Carnival Association's Labor Day gala on Eastern Parkway in Brooklyn, the 30-member, 11-year-old group promises youth from 7 years old to deliver the beat. St. Paul's J.O.B. Young Adult Choir represents New York in drama, song and dance. Traditional island-style Christmas carols are promised by Charles Dougherty and Circle of Friends Caribbean ensemble.
