African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
322 p., Kweh-kweh is an African Guyanese pre-wedding ritual system that emerged among African slaves in Guyana and historically functioned as a medium for music-centered matrimonial instruction for soon-to-be-married couples. The ritual is executed on the eve of a wedding ceremony and encompasses music, dance, proverbial speech, and a plethora of ritual practices that allow participants to chide, praise, and instruct the bride and groom and their nations (relatives, friends, and representatives) on matters of marriage. However, kweh-kweh performances also reveal embedded values of the Guyanese community, such as what it means to be a "real man" or a "proper woman." African Guyanese hold conflicting views on kweh-kweh, but at the onset of a wedding, they devise ways to celebrate kweh-kweh, a "pagan" ritual they also regard "our culture." This work demonstrates how African Guyanese manipulate the kweh-kweh ritual, their religious values, and themselves to articulate the complex of their identities, particularly racial and gendered identities.
Latin Americans of African descent, often referred to as Afro-Latinos, synchronized their African traditions with Latin culture, creating enduring African roots throughout Latin America. For example, Cuba's Santeria religious tradition traces its roots to Nigeria's Yoruba. Mofongo, Puerto Rico's savory fried plantain dish, is of West African origin. And the Dominican Republic's signature sound, merengue, developed from strong African rhythms. Today, New York City is the home of most of the United States' 4 million Afro-Latinos. In addition to being the center of Puerto Rican and Dominican culture in the country, New York City is also where Afro-Latinos from throughout the Diaspora reside.
287 p., With a focus on cultural memory, this dissertation investigates French Caribbean women's plays and their performance at Ubu Repertory Theater, a pioneering French-American theatre in New York. After a theoretical introduction and a historical chapter investigating slavery and its remembrance in the Francophone Caribbean, each chapter is divided into two sections, the first examining the play, and the second its production at Ubu. The author relies on theories of collective memory and cultural trauma to read Ina Césaire's Fire's Daughters, Maryse Condé's The Tropical Breeze Hotel, and Gerty Dambury's Crosscurrents as plays that dramatize a link between the past (the Middle Passage, slavery, and sexual relations between enslaved women and white men) and present-day behaviors, attitudes, and pain. It is argued that these plays work to revise problematic practices of remembrance in France and the Antilles. These practices dissociate slavery from its local context; make the trauma of enslaved women's rape a secret; divide Antilleans of different races, ethnicities, genders, and social classes; and associate resistance almost exclusively with Haiti. In a second section of each chapter, the production and reception of these plays at Ubu are examined.
"The CBC and CARICOM pledged to strengthen their relationship in a structured manner," said Dr. Ralph Gonsalves, the St. Vincent and the Grenadines prime minister and former CARICOM chairman. The congressman said if the next Conference on the Caribbean is held in New York, it would enable greater participation from the Congressional Black Caucus (CBC) and the Caribbean diaspora in New York, which has the greatest concentration of Caribbean nationals in the U.S.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
330 p., "By joining a diaspora, a society may begin to change its religious, ethnic, and even racial identifications by rethinking its "pasts." This pioneering multisite ethnography explores how this phenomenon is affecting the remarkable religion of the Garifuna, historically known as the Black Caribs, from the Central American coast of the Caribbean.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
273 p, Born of the union between African maroons and the Island Carib on colonial St. Vincent, and later exiled to Honduras, the Garifuna way of life combines elements of African, Island Carib, and colonial European culture. Beginning in the 1940s, this cultural matrix became even more complex as Garifuna began migrating to the United States, forming communities in the cities of New York, New Orleans, and Los Angeles. Moving between a village on the Caribbean coast of Honduras and the New York City neighborhoods of the South Bronx and Harlem, England traces the daily lives, experiences, and grassroots organizing of the Garifuna.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
374 p., This volume's transnational mixture, along with its use of creative analytical approaches, challenges existing paradigms and summons new models for studying women, religions, and diasporic shiftings across time and space. Includes "É a senzala: slavery, women, and embodied knowledge in Afro-Brazilian Candomblé" by Rachel Elizabeth Harding, "'I smoothed the way; I opened doors': women in the Yoruba-Orisha tradition of Trinidad' by Tracey E. Hucks, and "Joining the African diaspora: migration and diasporic religious culture among the Garifuna in Honduras and New York" by Paul Christopher Johnson.
Mayor Bloomberg issued a proclaimed Sunday May 29th, 2005 HAITIAN PARADE DAY which took place along Nostrand Avenue in Brooklyn, New York, where earlier this year a section of that same street had been renamed in honor of Toussaint Louverture.
Kasinitz,Philip (Author), Mollenkopf,John M. (Author), and Waters,Mary C. (Author)
Format:
Book, Whole
Publication Date:
2004
Published:
New York: Russell Sage Foundation
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
419 p, Includes Nancy López' "Unraveling the race-gender gap in education: second-generation Dominican men's high school experiences"; Nicole P. Marwell's "Ethnic and postethnic politics in New York City: the Dominican second generation"; Sherri-Ann P. Butterfield's "'We're just black': the racial and ethnic identities of second-generation West Indians in New York" /; and Natasha Warikoo's "Cosmopolitan ethnicity: second-generation Indo-Caribbean identities"
