Attempts to understand what the presence of Black music means in the absence of Black people. Is this an expression of a global circulation of Afro-Caribbean cultural trends as symbols of belonging and difference among urban youngsters? Does it take us back to the history of Quintana Roo as a Caribbean region and the Black Atlantic? Is it a form of revision of Mexican national ethnic mixture and inclusion of other population groups? Adapted from the source document.
México, D.F.: Instituto Nacional de Antropología e Historia : Universidad Nacional Autónoma de México, Centro de Investigaciones sobre América Latina y el Caribe : Centro de Estudios Mexicanos y Centroamericanos : Institut de recherche pour le développement
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Tegucigalpa: Instituto Hondureño de Antropología e Historia
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
351 p., Includes William V. Davidson's "Etnohistoria hondureña: la llegada de los garifunas a Honduras," "Geografía etno-histórica de los garifunas hondureños en la Laguna de Perlas, Nicaragua" and "Perdida definitiva de la costa? Abandono de las comunidades entre los garifunas hondureños."