220 p., Employs a black feminist diaspora literary lens to identify, define, trace, and speak to the African Diaspora as it functions in black women's diaspora fiction and informs our understanding of black women's diaspora identity. Considers three authors and novels by women of, in, and across the African Diaspora. The study centers on Sandra Jackson-Opoku's The River Where Blood Is Born as a primary site of analysis of diaspora formation and theorization, Dionne Brand's At the Full and Change of the Moon and Maryse Condé's Desirada as comparative textual and theoretical sites.
Kuwabong suggests that both Lorna Goodison's and Claire Harris's poetic of matrilineage survives on their positive representation of the mother-daughter relationship, which ideologically borders on the Caribbean concept of a daughter becoming her mother
"Estudou-se a mortalidade materna segundo a raca das mulheres que residem no Estado do Parana e que morreram entre os anos de 1993 e 1998. O objetivo foi analisar as causas de mortes segundo raca e variaveis socio-economicas, buscando evidenciar a situacao da mulher negra. A populacao foi composta por 956 casos de obitos maternos que fazem parte do Banco de Dados do Comite Estadual de Morte Materna responsavel pela coleta das informacoes." (Author)
363 p., investigates the pre- and post- migratory experiences of working-class African-Caribbean women from the English-speaking Caribbean who left their children in their home countries while pursuing better economic opportunities in Canada from the 1970s to the early 1990s. The author problematizes the intersectional relationship between female migrant labor, transnationality and motherhood within the rubric of globalized gender, race and class relations. Given the centrality of African-Caribbean women's worker-mother role in their societies, further exploration of this role within global migration is important in order to recognize its significant gendered impact on women's labor and familial relations on a transnational level.