Attempts to understand what the presence of Black music means in the absence of Black people. Is this an expression of a global circulation of Afro-Caribbean cultural trends as symbols of belonging and difference among urban youngsters? Does it take us back to the history of Quintana Roo as a Caribbean region and the Black Atlantic? Is it a form of revision of Mexican national ethnic mixture and inclusion of other population groups? Adapted from the source document.
Journal Article, Taking an Afrocentric approach to the study of Africans who were enslaved by the Spanish in Mexico, the author traveled to Mexico on many occasions to study the retention of African cultural forms, concepts, practices, and values. This article provides the reader with a critical literature brief on the issues surrounding the current discourse.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
38 p., 019: 35143042; edited by Minority Rights Group; 0305-6252; Text first published in 'No longer invisible' by Minority Rights Publications: 1995; Authors: Jameelah S. Muhammad ... [et al.]; Includes bibliographical references (p. 38)
Kingston, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
204 p., Examines cultural and literary material produced by Afro-Mexicans on the Costa Chica of Guerrero and Oaxaca, Mexico, to challenge the selective and Euro-centric view of Mexican identity in the discourse about racial and ethnic homogeneity and the existence of black people in the country, as well as assumptions and stereotypes about gender and sexuality.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
258 p., Explores a little known branch of the African Diaspora - Afro-Mexicans - and discusses their conditions of arrival and establishment in Mexico within the context of Spanish colonialism and the socioracial terms that are the focus of the main study: indio, blanco, nero and moreno. These terms are part of daily life in Mexico, used in variable ways as tags of social identity.
Gonzalez,Anita, (Author), Jackson,George O. (Photography), and Pellicer,Jose Manuel (Photography)
Format:
Book, Whole
Publication Date:
2010
Published:
Austin: University of Texas Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
163 p, rticulates African ethnicity and artistry within the broader panorama of Mexican culture by featuring dance events that are performed either by Afro-Mexicans or by other ethnic Mexican groups about Afro-Mexicans. She illustrates how dance reflects upon social histories and relationships and documents how residents of some sectors of Mexico construct their histories through performance.
On Christmas Day 1521, in the Spanish colony of Santo Domingo, the first recorded slave revolt in the Americas occurred. A group of African, likely Wolof, slaves came together with native Indians led by the Taino cacique Enriquillo to assert their independence. Beyond being the first slave revolt in the Americas, it was also one of the most important moments in Colonial American history because it was the first known instance when Africans and Indians united against their Spanish overlords in the Americas.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
129 p., One of only a few studies using ethnographic research to document and analyze the self-identification and retention of African culture by Afro-Mexicans in Tamiahua, Veracruz, Mexico.
