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    4. Interpersonal Versus Mass Media Channels as Influences on Tourism to the Caribbean: An Empirical Study

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Cuthbert,Marlene (Author)
    Format:
    Journal Article
    Publication Date:
    July-September, 1981
    Published:
    Mona, Jamaica: Extra Mural Dept. of the University College of the West Indies
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Caribbean Quarterly
    Journal Title Details:
    27(2-3) : 21-27

    5. Mass Media in National Development: Governmental Perspectives in Jamaica and Guyana

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Cuthbert,Marlene (Author)
    Format:
    Journal Article
    Publication Date:
    December, 1977
    Published:
    Mona, Jamaica: Extra Mural Dept. of the University College of the West Indies
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Caribbean Quarterly
    Journal Title Details:
    23(4) : 90-105
    Notes:
    "This paper examines the struggles of two developing nations as they attempt to define the role of the media in their national development. After sketching aspects of the debate on the subject, the paper focusses on Jamaica and Guyana, looks at their positions in light of some traditional mass communication models, and proposes 'participatory' and 'development' models of communication to express the Jamaican and Guyanese positions." (author)

    7. Calypso Circuits: Trans-Atlantic Popular Culture and the Gendering of Black Nationalism

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Dawson,Ashley (Author)
    Format:
    Journal Article
    Publication Date:
    2011-07
    Published:
    Routledge
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Popular Music & Society
    Journal Title Details:
    34(3) : 277-291
    Notes:
    "This paper examines the tradition of misogynistic picong or satire in calypso songs recorded as artists moved from Trinidad to Britain during the period immediately after World War II. I argue that, while these traditions of anti-woman representation began in conflicts around race and class inequalities within Caribbean culture during the Depression, they came to take on an anti-colonial animus when translated to the mother country. Calypso singers' tales of their exploits with hapless wealthy Englishwomen thus functioned not simply to express superiority over other men from the Caribbean, but to challenge the forms of racial subordination that black male migrants encountered in Britain during the 1940s and 1950s." --The Author