In 2008, a new style in Jamaican dancehall music and dance culture known as "Daggering" emerged. Daggering music and dancing, which included lyrics that graphically referred to sexual activities and a dance which has been described as "dry sex" on the dance floor, took Jamaica by storm. The Broadcasting Commission of Jamaica was forced to crack down on broadcasting and cable stations preventing them from playing any Daggering content. This article focuses on the subsequent clash between the government and the dancehall, and seeks to identify an appropriate method for monitoring and enforcing these new standards.
"Our goal is to make sure that we have the most accurate and updated listing of Black media in the industry. We pride ourselves on that fact," said Nakia Bowling, Media Specialist for Black PRWire. "We work consistently to build and sustain relationships in the Black community. Our massive database and community tide is the lifeline of our company. We understand that we can never falter on either of these factors and that is what makes us unique."
"This paper examines the tradition of misogynistic picong or satire in calypso songs recorded as artists moved from Trinidad to Britain during the period immediately after World War II. I argue that, while these traditions of anti-woman representation began in conflicts around race and class inequalities within Caribbean culture during the Depression, they came to take on an anti-colonial animus when translated to the mother country. Calypso singers' tales of their exploits with hapless wealthy Englishwomen thus functioned not simply to express superiority over other men from the Caribbean, but to challenge the forms of racial subordination that black male migrants encountered in Britain during the 1940s and 1950s." --The Author
Authors conducted a thematic analysis of 650 photographs of Haitian women in the Associated Press Photo Archive in the years 1994–2009. Emphasizes the impact of these images on the identity of Haitian women and Women of Color, as well as on the attitudes and behaviors of media consumers toward these groups.
"A discussion confined to the legal constraints on the press is a clear invitation to deal with law to the exclusion of the fundamental problems facing the mass media in a region which appears to be in a state of political, social, and ideological transition. This is so because the law exerts a disappearing influence on fundamental social and political issues." (author)
"Some aspects of media-government relationships that are explored are mass media ownership policies, and economic, legislative, and physical constraints upon the press." (author)
"This paper examines the struggles of two developing nations as they attempt to define the role of the media in their national development. After sketching aspects of the debate on the subject, the paper focusses on Jamaica and Guyana, looks at their positions in light of some traditional mass communication models, and proposes 'participatory' and 'development' models of communication to express the Jamaican and Guyanese positions." (author)
"Of the five nineteen-century general-interest newspapers that have survived to present, the largest is the Daily Gleaner. Established as a literary paper in 1833 by Joshua DeCordova, the paper, the following year, became an advertising sheet, DeCordova's Advertising Sheet. The present Gleaner dates its existence to 1834. ...Except for two Roman Catholic newspapers, the only other newspapers in the region that were developed before the twentieth century are the Nassau Gaurdian, Voice of St. Lucia, Barbados Advocate News and Bermuda Royal Gazette. " (author)
164 p., Explores four contemporary novels and a film that rely heavily on photographic and mass-media images to illuminate, articulate, and critique modern-day Black urban existence: Patrick Chamoiseau's Texaco (1997), Chris Abani's Graceland (2004), John Edgar Wideman's Fanon , Paulo Lins' Cidade de Deus (1997), and Fernando Meirelles' 2002 film adaptation of Lins' novel City of God . Chapters examine the ways in which photographic and/or mass-media images are used as narrative tropes or devices for representing the material conditions of an emerging slum existence. The author argues that each text reveals a preoccupation with the rise of global urbanism and visual culture as new types of discursive spaces--new kinds of "texts"-- that shape not only the real life of black people, but also the literary landscape of Black writing across the globe.
"In the early days of television, programme content was almost totally imported. Fourteen years the programming situation still reflects an excessive dependence on imported television programmes." (author)
The article discusses the transnational aspects of Harlem, New York City, New York, with a particular focus on the borough's cultural relations with the British West Indies during the 1920s and 1930s. An overview of the Caribbean immigrants in Harlem, including working class immigrants, is provided. The role that British Caribbean blacks played in the transatlantic media is discussed.
Discusses the status of women in Haiti in terms of accessing basic needs and services and education. States that women's invisibility was overshadowed by global media's coverage of the 2010 earthquake, wherein people were exposed to extreme poverty and gender inequity. It adds that Commission of Women Victims for Victims (KOFAVIV) is one of the non-governmental organizations (NGOs) that helped women victims from the prosecution of assailants.
Examines debates over the role of absentee fathers in gun violence among Black youth in Toronto, Ontario. Particular focus is given to the historical, cultural, economic, and social conditions that affect Caribbean-Canadian men and women's parenting.
The study found that Creole and French-language media in Miami have a significant dual function for the Haitian community, "fostering societal cohesion and immigrant incorporation" while, at the same time, helping Haitians living in Miami to "keep informed about and participate in what is happening in Haiti." "We wanted to look at the Haitian media in greater Miami because the community is the largest Haitian community in the country and the second-largest national origin group in Miami Dade County, yet little is known about its media in the larger society." "In the first days of the catastrophe, they all went to English-speaking television, whether they could understand it or not," said Tsitsi Wakhisi, associate professor of Professional Practice in Journalism at the U.M. School of Communication and another co-author of the report. "The people were looking for on-the-ground coverage, while using their cell phones to try to reach people in Haiti. Once American networks stopped their coverage, they relied on Haitian media."
When Ernesto Estupinan Quintero was elected mayor of the city of Esmeraldas, Ecuador, in 2000, he was the first self-identifying Black person to reach this position. The city of Esmeraldas is the capital of the only province of the nation where Afro-Ecuadorians are the largest racial and cultural group. Immediately upon his election, Ernesto began commissioning murals and statues that contested traditional representations of Blackness.
Examines the impact of the U.S. media on gender relations in the Caribbean area. The U.S. media have created a cultural dependency whereby Caribbean people tend to reject their indigenous culture and favor the American culture. The author asserts that Caribbean men behave in a certain manner and contribute to social problems because they have been improperly socialized by the U.S. media. Moreover, the portrayal of sports celebrities has created a feeling of victimhood among blacks.
