The article reports on archaeologists search for archaeological sites of the Maroons, runaway slaves of the seventeenth and eighteenth centuries in West Indies. Archaeologists claim that Maroons have the ability to become invisible. The efficacy of their tactic has made them elusive to slavery. It states that the constant threat of recapture and castigation on the island of Saint Croix led them to hide in remote, defensible spots that were hard to see. Moreover, archaeologists face difficulties in predicting the locations of the Maroons because they are do not leave any evidence of their presence.
"On the basis of Bastide's Les Amériques noires, this book review dwells on the memory of slavery and of African origins among black people in the New World. It focuses on the everyday as well as literary identity constructs presented in two recent books about Afro-Colombians and Creoles in Martinique." (author)
Examines how marginalized Maroon youth in Paramaribo, the capital of the Caribbean nation of Suriname, employ musical strategies in combating ethno-racial stigmatization and improving their socio-economic position. Traditionally, Maroons, after escaping the plantations during slavery, have lived in semi-isolation in Suriname's dense rainforest. In recent decades, they have become increasingly urbanized, to the discontent of many in Paramaribo, who view Maroons as backward, violent criminals. Drawing on ethnographic fieldwork and popular culture analysis, the article discusses how young Maroons use reggae and dancehall to create and recreate physical and social spaces of their own within the city and outside the forest. They protest local conditions and inequity by drawing on regional images of marginality that have been shaped by Rastafari musicians in Jamaica.
"Transgression and taboo which have a symbolic meaning in Caribbean societies are used in one of her short stories, “De sueur, de sucre et de sang” to articulate a social and feminist discourse. She uses the highly symbolic figure of the Nègre marron and ideology of marronnage to create a marronnage en abîme that has an aesthetic and ideological significance.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
254 p., An account of the history of the Boni- Maroons (Aluku-Maroons) of Surinam and French-Guiana from about 1730 until 1860. Based on archival data, oral history and the literature, the author paints an overall picture of Maroon-history of guerilla warfare, slave resistance and rebellion.
