The article focuses on Caribbean women who traveled to Great Britain after World War II to train as state-registered nurses and then migrated to Canada. The author provides brief biographical information about the interviewees featured in the paper, compares their recollections with the predominant images and ideas of Black women in Great Britain during that time, and discusses the women's reactions to nursing in Canada. She also explores the interviewees' revelations about their occupation, involvement in organisations that represented their interest, and the lessons they wish to pass on to future generations.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
275 p, Research Setting -- Study as a "Talking Book" -- Travessao -- Book Overview -- 1. "A Passport to Heaven's Gate" -- "Heaven's Gate": Canada in the North American and Caribbean Black Imaginary -- Church-Ship: Spiritual Voyaging -- Spiritual Baptists in Multicultural Canada: Considering Religious and National Identities in Migration -- Countercultures of Modernity and the Problem of Multiculturalism -- Historical Overview of Multiculturalism in Canada -- Multiculturalism in the Spiritual Baptist Church -- Spiritual Baptist Perceptions and Experiences of Multiculturalism in Canada -- 2. "This Spot of Ground": The Emergence of Spiritual Baptists in Toronto -- Origins of the Spiritual Baptist Church in the Caribbean -- "This Spot of Ground": The Spiritual Baptist Church as "Homeplace" in Toronto -- Founding of the First Spiritual Baptist Church in Toronto (1975-1980) -- Toronto Spiritual Baptist Church Organization -- 3. "So Spiritually, So Carnally": Spiritual Baptist Ritual, Theology, and the Everyday World in Toronto -- "So Carnally, So Spiritually" -- Ritual as Performance and Social Commentary -- Joining the Spiritual Baptist Church in Toronto -- Coming to Canada -- Work Experiences -- "It Hurt Me Feelings": Naming Racism -- "I Say You Can Call Me 'Damn Bitch' ... Just Don't Call Me 'Madam'!": Challenging Sexist Racism -- Church as Community: Support Networks in the Spiritual Baptist Church -- 4. "Africaland": "Africa" In Toronto Spiritual Baptist Experience -- Africaland -- Sacred Space and Place in the Spiritual Baptist Church -- Sacred Time in the Spiritual Baptist Church -- Travelling to Africaland -- Africa as Eden -- Africaland and the African Diaspora -- 5. "Dey Give Me a House to Gather in Di Chil'ren": Mothers and Daughters in the Spiritual Baptist Church -- Overview of Domestic Service in Canada -- Mothers of the Church -- Family in the Spirit: Extended Family in the Spiritual Baptist Church -- "If You Don't Come to Me, I'm Coming to You": Ancestral Mother -- "Dey Give Me a House to Gather in di Chil'ren": Spiritual Mother/Carnal Mother -- "God Has Work for You to Do": Nation Mother -- "It Makes You Feel Like Home": Spiritual Daughter -- 6. Aunt(Y) Jemima in Toronto Spiritual Baptist Experiences: Spiritual Mother Or Servile Woman? -- "Seeing" Aunt Jemima -- (Re)Turning the Gaze on Aunt(y) Jemima -- Re-reading Aunt(y) Jemima and the Creole Woman -- Tie-head Woman -- Head-ties and the Social Construction of Identity -- "To Pick It Up and Take It Forward''.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
301 p, The Family as the Agent of Socialization -- "I wouldn't be where I am today." Creating Moral Citizens through Church and School -- The Sky is the Limit: Migration to Britain -- Nurse Training and Education -- 'I've always wanted to work': Black Women and Professionalism -- Combining Work, Family and Community -- Nation Home and Belonging.; "Moving Beyond Borders is the first book-length history of Black health care workers in Canada, delving into the experiences of thirty-five postwar-era nurses who were born in Canada or who immigrated from the Caribbean either through Britain or directly to Canada. Karen Flynn examines the shaping of these women's stories from their childhoods through to their roles as professionals and community activists. Flynn interweaves oral histories with archival sources to show how these women's lives were shaped by their experiences of migration, professional training, and family life. Theoretical analyses from post colonial, gender, and diasporic Black Studies serve to highlight the multiple subjectivities operating within these women's lives. By presenting a collective biography of identity formation, Moving Beyond Borders reveals the extraordinary complexity of Black women's history."--pub. desc.
Carlos Varela is one of the best-known singer-songwriters to emerge from the Cuban nueva trova movement: heir to the musical traditions forged by Silvio Rodríguez and Pablo Milanés. Parochially, if accurately, known in North America as “Cuba’s Bob Dylan,” he has produced eight CDs since he began recording in 1988 and has toured Europe, the United Kingdom, Latin America, the Caribbean, and North America. In Cuba he is known as the voice of the generation that came of age during the Special Period of the 1990s, those raised with the promise and seeming collapse of the Cuban Revolution, for whom his songs have become generational anthems. In this interview, Varela discusses the meaning his music has for Cubans in the diaspora and on the island, the benefits and liabilities of creating music in today’s Cuba, censorship, history, the current Cuban hip-hop scene, and the ongoing significance of music as a political language for his own and other generations of Cubans. He also shares some reflections about his own career and his song-writing process since the 1980s., unedited non–English abstract received by RILM] Carlos Varela es uno de los cantautores más famosos surgido del movimiento cubano de la nueva trova, y heredero de la tradición musical de Silvio Rodríguez y Pablo Milanés. Celebrado como el “Bob Dylan cubano”, ha producido ocho discos desde que comenzó a grabar en 1988, y ha dado giras por Europa, el Reino Unido, América Latina, el Caribe y América del Norte. En Cuba, Varela es conocido como la voz de la generación que se formó durante el Período Especial de los años noventa, los que crecieron con la promesa y, a la vez, la desilusión de la Revolución Cubana, y para quienes sus canciones se convirtieron en himnos generacionales. En esta entrevista, habla sobre el significado de sus canciones para los cubanos dentro y fuera de la isla, sobre los beneficios y las dificultades de la creación musical en la Cuba de hoy, sobre la censura, la historia, el escenario actual del hip-hop cubano, y el constante significado de la música como lenguaje político, tanto para su generación como para las otras generaciones de cubanos. También, Varela comparte algunas reflexiones sobre su carrera y el proceso de creación de sus canciones desde los años ochenta.
"This book was written by a leading member of the Castro revolution in Cuba. Dreke was the second in command in Africa (behind the legendary Che Guevera) for the export of a similar revolution to that continent." (Publisher)
Examined the prevalence of psychiatric disorders among Black Caribbean immigrant ("Caribbean Black") and African American populations and the correlates of psychiatric disorders among the Caribbean Black population
Hodge candidly talks about her childhood, studies, life, etc. She also states that she writes about her cultural situation in the colonial era, but not as feminists take it. She also works for social advancement of women
