How do people respond to the news that they are HIV positive? To date, there have been few published qualitative studies of HIV diagnosis experiences, and none focusing on Caribbean people. Twenty-five HIV-positive Caribbean people in London, UK, related their diagnosis experience and its immediate aftermath in semi-structured interviews. Diagnosis with HIV caused profound shock and distress to participants, as they associated the disease with immediate death and stigmatisation. The respondents struggled with biographical disruption, the radical disjuncture between life before and after diagnosis, which led them into a state of liminality, as they found themselves betwixt and between established structural and social identities. Respondents were faced with multifaceted loss: of their known self, their present life, their envisioned future and the partner they had expected to play a role in each of these. A minority of accounts suggest that the way in which healthcare practitioners delivered the diagnosis intensified the participants' distress
Hodge candidly talks about her childhood, studies, life, etc. She also states that she writes about her cultural situation in the colonial era, but not as feminists take it. She also works for social advancement of women
In April 1999, Dionne Brand, Leslie Sanders, and Rinaldo Walcott sat down to have a conversation about Brand's second novel At The Full and Change of the Moon. The
interview took place over a promised riposte, and was a conversation among friends.
The novel concerns itself with the contemporary lives of the descendents of Marie Ursule a slave who commits a rebellious and horrific act of mass poisoning on a plantation but saves her daughter Bolla.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
209 p., Collects interviews with queer Caribbean writers, activists, and citizens and challenges the dominance of Euro-American theories in understanding global queerness.
Discusses the stories of six girls to illuminate three broad types of gender performances that were observed: ‘beauties’, ‘geeks’ and ‘men-john’. Using Francis' concepts of gender ‘monoglossia’ and ‘heteroglossia’, the extent to which these girls were able to resist the normative gender–sexual order and the consequences of conformity/non-conformity are examined.
Carlos Varela is one of the best-known singer-songwriters to emerge from the Cuban nueva trova movement: heir to the musical traditions forged by Silvio Rodríguez and Pablo Milanés. Parochially, if accurately, known in North America as “Cuba’s Bob Dylan,” he has produced eight CDs since he began recording in 1988 and has toured Europe, the United Kingdom, Latin America, the Caribbean, and North America. In Cuba he is known as the voice of the generation that came of age during the Special Period of the 1990s, those raised with the promise and seeming collapse of the Cuban Revolution, for whom his songs have become generational anthems. In this interview, Varela discusses the meaning his music has for Cubans in the diaspora and on the island, the benefits and liabilities of creating music in today’s Cuba, censorship, history, the current Cuban hip-hop scene, and the ongoing significance of music as a political language for his own and other generations of Cubans. He also shares some reflections about his own career and his song-writing process since the 1980s., unedited non–English abstract received by RILM] Carlos Varela es uno de los cantautores más famosos surgido del movimiento cubano de la nueva trova, y heredero de la tradición musical de Silvio Rodríguez y Pablo Milanés. Celebrado como el “Bob Dylan cubano”, ha producido ocho discos desde que comenzó a grabar en 1988, y ha dado giras por Europa, el Reino Unido, América Latina, el Caribe y América del Norte. En Cuba, Varela es conocido como la voz de la generación que se formó durante el Período Especial de los años noventa, los que crecieron con la promesa y, a la vez, la desilusión de la Revolución Cubana, y para quienes sus canciones se convirtieron en himnos generacionales. En esta entrevista, habla sobre el significado de sus canciones para los cubanos dentro y fuera de la isla, sobre los beneficios y las dificultades de la creación musical en la Cuba de hoy, sobre la censura, la historia, el escenario actual del hip-hop cubano, y el constante significado de la música como lenguaje político, tanto para su generación como para las otras generaciones de cubanos. También, Varela comparte algunas reflexiones sobre su carrera y el proceso de creación de sus canciones desde los años ochenta.
Césaire,Aimé (Author) and Vergès,Françoise (Author)
Format:
Book, Whole
Language:
French
Publication Date:
2005
Published:
Paris: Albin Michel
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
148 p., Au moment où, pour la première fois en France, s'ouvre un large débat public sur les traces contemporaines de l'esclavage et du colonialisme, la portée historique et politique des écrits d'Aimé Césaire prend un relief tout particulier. Dans ces entretiens accordés à Françoise Vergès, le "père de la négritude" relate avec une très grande liberté de ton les principaux moments de son combat pour l'égalité des peuples à l'ère post-coloniale. Témoin capital de cette période de mutations, Aimé Césaire évoque son siècle, celui de la fin des empires coloniaux, en posant les questions fondamentales de l'égalité, de l'écriture de l'histoire des anonymes et des disparus du monde non européen. C'est la voix d'un homme immense qu'il nous est donné d'entendre, dans sa force et sa modestie.
An interview with Haitian physician Lise Marie Dejéan, executive director of Solidarite Fanm Ayisyen (SOFA) or the Solidarity with Haitian Women, who narrates the daily struggles, the difficulties faced by women's organizations, and government's slow recovery effort.
Interviews Justin Podur, associate professor at York University in Toronto, Ontario. When asked about the reason behind writing his book "Haiti's New Dictatorship" he refers to his work as an editor while the military coup happened, which gave him an insight into people's views. Podur believes that the current dictatorship has poor human rights records in Haiti then the Aristide's government. He comments on rescue operations during the earthquake in 2010.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
149 p., The story of four arts practitioners from Trinidad and Tobago —a lighting designer, a dancer, a jazz musician and a choreographer—who have made a name for themselves internationally. The work also centers on their role as educators in their fields.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
275 p, Research Setting -- Study as a "Talking Book" -- Travessao -- Book Overview -- 1. "A Passport to Heaven's Gate" -- "Heaven's Gate": Canada in the North American and Caribbean Black Imaginary -- Church-Ship: Spiritual Voyaging -- Spiritual Baptists in Multicultural Canada: Considering Religious and National Identities in Migration -- Countercultures of Modernity and the Problem of Multiculturalism -- Historical Overview of Multiculturalism in Canada -- Multiculturalism in the Spiritual Baptist Church -- Spiritual Baptist Perceptions and Experiences of Multiculturalism in Canada -- 2. "This Spot of Ground": The Emergence of Spiritual Baptists in Toronto -- Origins of the Spiritual Baptist Church in the Caribbean -- "This Spot of Ground": The Spiritual Baptist Church as "Homeplace" in Toronto -- Founding of the First Spiritual Baptist Church in Toronto (1975-1980) -- Toronto Spiritual Baptist Church Organization -- 3. "So Spiritually, So Carnally": Spiritual Baptist Ritual, Theology, and the Everyday World in Toronto -- "So Carnally, So Spiritually" -- Ritual as Performance and Social Commentary -- Joining the Spiritual Baptist Church in Toronto -- Coming to Canada -- Work Experiences -- "It Hurt Me Feelings": Naming Racism -- "I Say You Can Call Me 'Damn Bitch' ... Just Don't Call Me 'Madam'!": Challenging Sexist Racism -- Church as Community: Support Networks in the Spiritual Baptist Church -- 4. "Africaland": "Africa" In Toronto Spiritual Baptist Experience -- Africaland -- Sacred Space and Place in the Spiritual Baptist Church -- Sacred Time in the Spiritual Baptist Church -- Travelling to Africaland -- Africa as Eden -- Africaland and the African Diaspora -- 5. "Dey Give Me a House to Gather in Di Chil'ren": Mothers and Daughters in the Spiritual Baptist Church -- Overview of Domestic Service in Canada -- Mothers of the Church -- Family in the Spirit: Extended Family in the Spiritual Baptist Church -- "If You Don't Come to Me, I'm Coming to You": Ancestral Mother -- "Dey Give Me a House to Gather in di Chil'ren": Spiritual Mother/Carnal Mother -- "God Has Work for You to Do": Nation Mother -- "It Makes You Feel Like Home": Spiritual Daughter -- 6. Aunt(Y) Jemima in Toronto Spiritual Baptist Experiences: Spiritual Mother Or Servile Woman? -- "Seeing" Aunt Jemima -- (Re)Turning the Gaze on Aunt(y) Jemima -- Re-reading Aunt(y) Jemima and the Creole Woman -- Tie-head Woman -- Head-ties and the Social Construction of Identity -- "To Pick It Up and Take It Forward''.
Espín Guillois,Vilma (Author), Santos Tamayo,Asela de los (Author), and Ferrer,Yolanda (Author)
Format:
Book, Whole
Publication Date:
2012-01-01
Published:
New York: Pathfinder
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
364 p., A collection of four interviews by different journalists with Vilma Espín, Asela de los Santos and Yolanda Ferrer from 1975-2008. Founded by Fidel Castro and directed by Vilma Espín, the Federation of Cuban Women sought to mobilize women following the 1959 Cuban Revolution. Called the "revolution within the revolution," the Cuban women's movement sent women into new regions of the country to teach the illiterate and nurse the ill.
Los Angeles, CA: University of California, Los Angeles
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
456 p., Ethnographic study of an Afro-Brazilian center in Salvador, Bahia Brazil contributes to theoretical conversations in the anthropology of the body, medical and psychological anthropology, and relational psychoanalysis.
The article focuses on Caribbean women who traveled to Great Britain after World War II to train as state-registered nurses and then migrated to Canada. The author provides brief biographical information about the interviewees featured in the paper, compares their recollections with the predominant images and ideas of Black women in Great Britain during that time, and discusses the women's reactions to nursing in Canada. She also explores the interviewees' revelations about their occupation, involvement in organisations that represented their interest, and the lessons they wish to pass on to future generations.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
301 p, The Family as the Agent of Socialization -- "I wouldn't be where I am today." Creating Moral Citizens through Church and School -- The Sky is the Limit: Migration to Britain -- Nurse Training and Education -- 'I've always wanted to work': Black Women and Professionalism -- Combining Work, Family and Community -- Nation Home and Belonging.; "Moving Beyond Borders is the first book-length history of Black health care workers in Canada, delving into the experiences of thirty-five postwar-era nurses who were born in Canada or who immigrated from the Caribbean either through Britain or directly to Canada. Karen Flynn examines the shaping of these women's stories from their childhoods through to their roles as professionals and community activists. Flynn interweaves oral histories with archival sources to show how these women's lives were shaped by their experiences of migration, professional training, and family life. Theoretical analyses from post colonial, gender, and diasporic Black Studies serve to highlight the multiple subjectivities operating within these women's lives. By presenting a collective biography of identity formation, Moving Beyond Borders reveals the extraordinary complexity of Black women's history."--pub. desc.
Draws upon 14 semi-structured interviews with the participants in a teacher-researcher project on the theme of "ensuring African Caribbean attainment" with the aim of shedding light on the purposes, processes and lived experiences of teacher research in a difficult and contentious intellectual and practical domain.
Chapel Hill, NC: University of North Carolina Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
298 p., Showing how revolutionary and prerevolutionary values coexist in a potent and sometimes contradictory mix, Hamilton addresses changing patterns in heterosexual relations, competing views of masculinity and femininity, same-sex relationships and homophobia, AIDS, sexual violence, interracial relationships, and sexual tourism. Hamilton's examination of sexual experiences across generations and social groups demonstrates that sexual politics have been integral to the construction of a new revolutionary Cuban society.
Chapel Hill, NC: University of North Carolina Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
298 p., Showing how revolutionary and prerevolutionary values coexist in a potent and sometimes contradictory mix, Hamilton addresses changing patterns in heterosexual relations, competing views of masculinity and femininity, same-sex relationships and homophobia, AIDS, sexual violence, interracial relationships, and sexual tourism. Hamilton's examination of sexual experiences across generations and social groups demonstrates that sexual politics have been integral to the construction of a new revolutionary Cuban society.
-, Interviews social psychologist and feminist Norma Guillard. She discusses her political, socio-cultural activism and academic research on Black lesbians in Cuba. Guillard cites feminists Margaret Randall, Alice Walker and Angela Davis as women who influenced her. Describes an important Cuban movement involving Afro-Cuban militants.
Examines the process of producing a play script based on data generated through oral history interviews undertaken with people from the Caribbean who came to Alberta in the 1960s to early 1970s. This process resulted in unearthing of new knowledge, insights, and understandings within African-Canadian communities in Alberta.
