African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
183 p, "Prose fiction, mainly novels, written by people who were born or who grew up in the West Indies. The literary works to be approached usually have a West Indian setting. The books have all been written in the twentieth century." (Publisher)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
230 p, Book Description: There has been an explosion of interest in Francophone studies, as postcolonial and diaspora literatures more generally have gained recognition both within and outside the academy. Identity, culture and history as well as issues relating to class, race, and colonialism, and the literary production itself have always been central to Caribbean Francophone culture and are matters currently of hot debate. From the growth of the negritude movement, principally associated with poetry, through to the rise of the novel, contributors to this book explore the theoretical, political and philosophical debates that have informed, and continue to inform, the rich and varied tradition of Caribbean Francophone literature. In recent years, the number of Francophone Caribbean women writers has increased significantly and experimental writing has featured more prominently. Contributors explore these and other trends, mainly in the literatures of Guadeloupe and Martinique. In providing the only available overview of this important literature and in positioning it critically, this book makes an invaluable contribution to students and scholars alike. (www.seekbooks.com.au);
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
218 p, Contents: Origins of the divestiture trope in selected literature of the African diaspora -- Diaspora as a trope for the existential condition -- Resonances of the African continent in selected fiction and non-fiction by Zora Neale Hurston -- Orphanage in Simone Schwarz-Bart's The bridge of beyond and Alice Walker's The third life of Grange Copeland -- Polyphonic texture of the trope "junkheaped" in Toni Morrison's Beloved -- Sociological implications of female abandonment in Buchi Emecheta's Second class citizen and The joys of motherhood -- Success phobia of Deighton Boyce in Paul Marshall's Brown girl, Brownstones -- Madness as a response to the female situation of disinheritance in Mariama Bâ's So long a letter and Scarlet song -- Exile of the elderly in Beryl Gilroy's Frangipani house and Boy-Sandwich -- Conclusion: abandonment as a trope for the human condition;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
191 p, "[E]xplores the articulation of diasporic consciousness in two domains of post-colonial diaspora discourse: cultural critical theory and literature. Examined in the domain of cultural critical theory is a corpus of writings produced by Stuart Hall, Paul Gilroy, Kobena Mercer and Homi Bhabha. The literary texts examined are Buchi Emecheta's Second-Class Citizen, Joan Riley's The Unbelonging, Marlene Nourbese Philip's Harriet's Daughter, and Bharati Mukherjee's Jasmine." (author)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
256 p., This book explores the common links and differences between the works of two modern Caribbean poets, Kamau Braithwaite and Dereck Walcott. The study focuses on the engagement of the two with the mythology of the Caribbean's African experience, defining each poet's contribution to the development of modern Caribbean poetics.
