African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
166 p., Gives a comprehensive analysis of the literary and theoretical discourse on race, culture, and identity by Francophone and Caribbean writers beginning in the early part of the twentieth century and continuing into the dawn of the new millennium. Examining the works of Patrick Chamoiseau, Raphael Confiant, Aime Cesaire, Leopold Senghor, Leon Damas, and Paulette Nardal, the author traces a move away from the preoccupation with African origins and racial and cultural purity, toward concerns of hybridity and fragmentation in the New World or Diasporic space.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
302 p, A collection of eleven essays. Among the themes examined are colonialism, slavery, and the involvement of the Christian Church in both colonial rule and enslavement. The essays also analyze the pre-independence and post-independence periods of the twentieth century, with examinations on topics that include prostitution, departmentalization, education, visual art, and the musical form known as Reggae.
Morgan,Paula (Editor) and Youssef,Valerie (Editor)
Format:
Book, Edited
Publication Date:
2013
Published:
Kingston, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
198 p., brings together the work of scholars in the field of Caribbean literary and linguistic study. Its genesis was the University of the West Indies 2011 commemorative conference in honor of recently retired professors Bridget Brereton, Barbara Lalla and Ian Robertson. This volume engages the seminal work done by Lalla and Robertson with focus on their contributions to theoretical constructs, original data collection and analysis, and the formation of a Caribbean-based ethos.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
208 p., Analyzes literary representation of the island in Caribbean women's literature as a key component of the gendered construction of diasporic identity. This book centers on the representations of the island - whether in Anglophone, Hispanophone, or Francophone Caribbean literature - and the inherent contradictions they raise.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
111 p, Examines the ways Guadeloupean women writers Maryse Conde, Simone Schwarz-Bart and Myriam Warner-Vieyra demystify the theme of the return to Africa as opposed to the masculinist version by Negritude male writers from the 1930s to 1960s. Negritude, a cultural and literary movement, drew much of its strength from the idea of a mythical or cultural reconnection with the African past allegorized as a mother figure. In contrast these women writers, of the post-colonial era who are to large extent heirs of Negritude, differ sharply from their male counterparts in their representation of Africa. In their novels, the continent is not represented as a propitious mother figure but a disappointing father figure.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
354 p, Contents: Sir Galahad and the islands -- Roots -- Jazz and the West Indian novel -- Caribbean critics -- Creative literature of the West Indies during the period of slavery -- Brother Mais -- The African presence in Caribbean literature -- History of the voice.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
309 p., Drawing from Haitian Vodou and New Orleanian Voudou and from Cuban and South Floridian Santería, as well as from Afro-Baptist (Caribbean, Geechee, and Bahamian) models of encounters with otherness, this book reemplaces deep-southern texts within the counterclockwise ring-stepping of a long Afro-Atlantic modernity. Includes "Down to the Mire : Travels, Shouts & Fe Chauffe, Balanse, Swing : Saint Domingue Refugees in the Govi of New Orleans."
