African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
247 p., Explores the literary tradition of Caribbean Latino literature written in the U.S. beginning with José Martí and concluding with 2008 Pulitzer Prize winning novelist, Junot Díaz. The contributors consider the way that spatial migration in literature serves as a metaphor for gender, sexuality, racial, identity, linguistic, and national migrations. The essays in this collection reveal the multiple ways that writers of this tradition use their unique positioning as both insiders and outsides to critique U.S. hegemonic discourses while simultaneously interrogating national discourses in their home countries.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
194 p., Includes Marie-José Nzengou-Tayo's "Prejuicios acerca de la independencia haitiana : viento negro, Bosque del Caiman de Carlos Esteban Deive," Silvia Valero's "De 'negros' y 'mulatos' en la literatura cubana contemporánea : Elíseo Altunaga, Marta Rojas y la re-escritura de la historia," and Felix Ayoh'Omidire's "La identidad frente al poder : la asimetría ritual de Yemayá en Africa y América Latina."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
212 p., Examines writers, such as Louise Bennett, Aimé Césaire, Junot Díaz, Zora Neale Hurston, Derek Walcott, and Anthony Winkler, who engage humor to challenge representations of people of African descent within canonical Western texts and forms.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
226 p., Investigates how these entrenched notions of paradise, which islands have traditionally represented metonymically, are contested in the works of four postcolonial authors: Jamaica Kincaid, Lawrence Scott, Romesh Gunesekera, and Jean Arasanayagam, from the island nations of the Caribbean and Sri Lanka.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
192 p., Argues that postcolonial critics must move beyond an identity-based orthodoxy as they examine problems of sovereignty. Harrison describes what she calls "difficult subjects”--subjects that disrupt essentialized notions of identity as equivalent to sovereignty. She argues that these subjects function as a call for postcolonial critics to broaden their critical horizons beyond the usual questions of national identity and exclusion/inclusion.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
191 p., Conceptualizes the idea of jolie-laide ("the beautiful ugly") as a fully elaborated sexual poetics by three women writers of the African diaspora: Gayl Jones (USA), Jamaica Kincaid (Antigua, Caribbean), and Jackie Kay (Scotland, UK). The introductory chapter situates the study in a critical and cultural context and defines key terms. The chapters that follow analyze the thematic preoccupations and narrative strategies of the three writers' respective novels ( Corregidora and Eva's Man, The Autobiography of My Mother , and Trumpet ) and historicize the novels' explicit and implicit ideologies. With their jolie-laide portrayals of gender, the body and sex and sexuality, these three writers fashion complex representations of black female sexual subjectivity and critique the biased images, exaggerations, distortions, and silences of earlier representations. Recognizing that jolie-laide can be used to problematize racial, gender, and sexual binaries, these novelists exploit the structural possibilities of a jolie-laide sexual poetics to address culturally taboo topics in explicit, graphic, and imaginative language and with inventive jolie-laide tropes. They challenge white supremacist stereotypes of black sexuality as well as the sanitized characterizations of black sex found within the literary traditions of black respectability.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
200 p., This book extends our understanding of the black Atlantic, a term coined by Paul Gilroy to describe the political, cultural and creative interrelations among blacks living in Africa, the Americas and Europe. Focuses on pre-colonial English literary constructions and their effects on post-Independence Caribbean literature.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
235 p., Using contemporary literary representations of place, this study focuses on works that have participated in the emergence of new conceptions of place and new place-based identities. The analyses draw on research in cultural geography, cognitive science, urban sociology, and globalization studies. Includes chapter on "Evolution in/of the Caribbean Landscape Narrative."
Ventura de Molina, Jacinto, b.1766 (Author), Acree,William G. (Editor), and Borucki,Alex (Editor)
Format:
Book, Edited
Language:
Spanish
Publication Date:
2010
Published:
Madrid: Iberoamericana
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
285 p., Contents: Mapa del Río de la Plata hacia 1800 -- Cronología sobre Molina -- El Río de la Plata en los años de Jacinto Ventura de Molina / Alex Borucki -- Un sueño realizado : un letrado negro y el poder de la escritura / William G. Akree, Jr. -- [Notas] -- Escritos de Jacinto Ventura de Molina, c. 1817-1837. Escritos históricos y autobiográficos. Los afrodescendientes en los escritos de Molina. Peticiones al poder. Molina en los escritos de sus contemporáneos / [various authors]. Defensor de los pobres. Escritos políticos y literarios.; Collection consists chiefly of works by Ventura de Molina: political, historical, literary, and legal.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
312 p., Argues for inclusion of more Afro-Hispanic poets in the Caribbean literary canon. This book offers an introductory overview of the literary tradition of Black writing in the Hispanic Caribbean. It also provides a survey of black poets.
