Kingston, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
204 p., Examines cultural and literary material produced by Afro-Mexicans on the Costa Chica of Guerrero and Oaxaca, Mexico, to challenge the selective and Euro-centric view of Mexican identity in the discourse about racial and ethnic homogeneity and the existence of black people in the country, as well as assumptions and stereotypes about gender and sexuality.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
268 p., In an examination of the fiction of contemporary women writers of the African Diaspora, these writers engage important texts from writers in Africa, the Caribbean, and the United States, largely ignored by mainstream literary scholars. They employ fresh and poignant critical perspectives accessible to both scholars and students. Includes Carolyn Cooper's
"Sense make befoh book": Grenadian popular culture and the rhetoric of revolution in Merle Collins's Angel and the Colour of forgetting," Paula C. Barnes "Meditations on her/story: Maryse Conde's I, Tituba, Black Witch of Salem and the slave narrative tradition," and Erna Brodber's "Guyana's historical sociology and the novels of Beryl Gilroy and Grace Nichols."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
296 p., Examines how changes in political, economic, and social structures have produced different sets of possibilities for writers to imagine their relationship to the institutions of the public sphere. In the process, he provides a new context for rereading such major writers as Mary Seacole, José Martí, Jacques Roumain, Claude McKay, Marie Chauvet, and George Lamming, while also drawing lesser-known figures into the story.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
286 p., Examines how texts by Diaz, Danticat, and Garcia render coloniality visible and how they offer strategies of plurality and border crossings as a means of liberation and epistemic decolonization, contesting absolute and universal positions of power. This book demonstrates that Caribbean and Western knowledge systems can be read in dialogue, which yields new strategies for solving complex problems such as intercultural conflicts and asymmetric power relations.
Chapel Hill: Published for the Omohundro Institute of Early American History and Culture, Williamsburg, Virginia, by the University of North Carolina Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
296 p., The formal evolution of colonial prose narrative, Ianinni argues, was contingent upon the emergence of natural history writing, which itself emerged necessarily from within the context of Atlantic slavery and the production of tropical commodities. As he reestablishes the history of cultural exchange between the Caribbean and North America, Ianinni recovers the importance of the West Indies in the formation of American literary and intellectual culture as well as its place in assessing the moral implications of colonial slavery.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
194 p., Includes Marie-José Nzengou-Tayo's "Prejuicios acerca de la independencia haitiana : viento negro, Bosque del Caiman de Carlos Esteban Deive," Silvia Valero's "De 'negros' y 'mulatos' en la literatura cubana contemporánea : Elíseo Altunaga, Marta Rojas y la re-escritura de la historia," and Felix Ayoh'Omidire's "La identidad frente al poder : la asimetría ritual de Yemayá en Africa y América Latina."
Hutchinson,George (Editor) and Young,John K. (Editor)
Format:
Book, Edited
Publication Date:
2013
Published:
Ann Arbor: University of Michigan Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
236 p., Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. This collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Includes "More than McKay and Guillén: The Caribbean in Hughes and Bontemps's The Poetry of the Negro (1949)."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
302 p, A collection of eleven essays. Among the themes examined are colonialism, slavery, and the involvement of the Christian Church in both colonial rule and enslavement. The essays also analyze the pre-independence and post-independence periods of the twentieth century, with examinations on topics that include prostitution, departmentalization, education, visual art, and the musical form known as Reggae.
Lamming,George (Author) and Bogues,Anthony (Editor)
Format:
Book, Edited
Publication Date:
2011
Published:
Kingston, Jamaica: Ian Randle Publishers
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
452 p., George Lamming is one of the best known, certainly one of the most highly regarded contemporary writers from the Caribbean. Spanning nearly 60 years and encompassing fiction, poetry and critical essays, Lamming's writing covers the length and breadth of Caribbean intellectual, cultural, political and literary life. Credited as a part of that group of Caribbean activists who awoke the Caribbean to its identity and more specifically to its cultural identity, his works have focused on finding new political and social identity.
Lamming,George (Author) and Bogues,Anthony (Editor)
Format:
Book, Edited
Publication Date:
2011
Published:
Kingston ; Miami: Ian Randle
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
452 p., Anthony Bogues pulls together Lamming's critical works, some previously published, some given as addresses, lectures and interviews. Lamming is best known for his novels. In the Castle of My Skin and The Emigrants take place in England and are largely autobiographical. Of Age and Innocence and Season of Adventure are set on the fictional Caribbean island of San Cristobal. In Water with Berries, the plot of Shakespeare's The Tempest is used to unmask the imperfections of West Indian society while his final novel, Natives of My Person, gives account of the voyage of a slave-trading ship on the triangular trade route from Europe to Africa to the New World colonies.
