African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
276 p, The history of Haiti throughout the twentieth century has been marked by oppression at the hands of colonial and dictatorial overlords. But set against this "day for the hunter" has been a "day for the prey," a history of resistance, and sometimes of triumph. With keen cultural and historical awareness, Gage Averill shows that Haiti's vibrant and expressive music has been one of the most highly charged instruments in this struggle—one in which power, politics, and resistance are inextricably fused.
Explores such diverse genres as Haitian jazz, troubadour traditions, Vodou-jazz, konpa, mini-djaz, new generation, and roots music. He examines the complex interaction of music with power in contexts such as honorific rituals, sponsored street celebrations, Carnival, and social movements that span the political spectrum.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
207 p., Fosters a dialogue across islands and languages between established and lesser-known authors, bringing together archipelagic and diasporic voices from the Francophone and Hispanic Antilles. In this pan-diasporic study, Ferly shows that a comparative analysis of female narratives is often most pertinent across linguistic zones.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
207 p., Fosters a dialogue across islands and languages between established and lesser-known authors, bringing together archipelagic and diasporic voices from the Francophone and Hispanic Antilles. In this pan-diasporic study, Ferly shows that a comparative analysis of female narratives is often most pertinent across linguistic zones.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Papers presented at the conference organized by the European Association for Commonwealth Literature and Language Studies held in 2005 in Sliema, Malta., 412 p., Includes Jogamaya Bayer's "Crossing the borders in Monica Ali's Brick lane and V.S. Naipaul's Half a life," Gen'ichiro Itakura's "Jewishness, goyishness, and blackness : Zadie Smith's The autograph man," and Lourdes López-Ropero's "The pleasures of slave food : the politics of creolization in Austin Clarke's Pigtails 'n breadfruit."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
268 p., In an examination of the fiction of contemporary women writers of the African Diaspora, these writers engage important texts from writers in Africa, the Caribbean, and the United States, largely ignored by mainstream literary scholars. They employ fresh and poignant critical perspectives accessible to both scholars and students. Includes Carolyn Cooper's
"Sense make befoh book": Grenadian popular culture and the rhetoric of revolution in Merle Collins's Angel and the Colour of forgetting," Paula C. Barnes "Meditations on her/story: Maryse Conde's I, Tituba, Black Witch of Salem and the slave narrative tradition," and Erna Brodber's "Guyana's historical sociology and the novels of Beryl Gilroy and Grace Nichols."
Glissant,Edouard (Author) and Dash,J. Michael (Translator)
Format:
Book, Whole
Language:
eng
Publication Date:
1989
Published:
Charlottesville: University Press of Virginia
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Translation of: Le discours antillais., 272 p., Edouard Glissant's Caribbean Discourse is an unflaggingly ambitious attempt to read the Caribbean and the New World experience, not as a response to fixed, univocal meaning imposed by the past, but as an infinitely varied, dauntingly inexhaustible text.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
174 p., Reading the fiction of Jamaica Kincaid, Dionne Brand, Jean Rhys, Erna Brodber, and Michelle Cliff alongside British texts such as Dickens's Great Expectations and Bronte's Jane Eyre, Renk demonstrates how contemporary Anglophone Caribbean women's writing radically subverts the myth of the family as it is constructed in 19th century British and colonial texts. These women writers reconfigure Caribbean identity, family, and nation according to cross-cultural, trans-national and transtemporal paradigms.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
341 p., Examines the long-running debate between the proponents of Afro-Cuban cultural manifestations and the predominantly white Cuban intelligentsia who viewed these traditions as "backward" and counter to the interests of the young Republic. Includes analyses of the work of Felipe Pichardo Moya, Alejo Carpentier, Nicolás Guillén, Emilio Ballagas, José Zacarías Tallet, Felix B. Caignet, Marcelino Arozarena, and Alfonso Camín.
