Tavistock, Devon, U.K; London: Northcote; British Council
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
153 p, Jean Rhys and her critics -- Feminist approaches to Jean Rhys -- The Caribbean question -- Writing in the margins -- Autobiography and ambivalence -- 'The day they burned the books' -- Fort Comme La Mort : the French Connection -- The politics of Good morning, midnight -- The huge machine of law, order and respectability -- Resisting the machine -- The enemy within -- Goodnight, day -- Intemperate and unchaste -- The other side -- The struggle for the sign.
"Any attempt to trace the many resonances that historically have been attached to the creole figure in Caribbean literature and culture will be inflected by the long and pervading presence of colonialism in the region and its attendant corollary of hierarchical social separation and difference based on perceptions of race. Indeed, the ambivalent desire and subjective misrecognition that lay at the heart of historical writing about colonialism and racism have tended to frame the issues of monstrosity and exclusion that produced the creole as part and parcel of wider colonial discourses. Thus, the shifting and increasingly unstable inscription of the creole figure echoes, in a certain sense, certain critical ambiguities of politics and temporality that color the colonial encounter and its aftermath. Specifically, in the contemporary English- and French-speaking Caribbean, the multiplicity, displacement, and creative instability that undergird creole-driven theories of postcolonial performance have supplanted this category's suspect beginnings as colonialism's model for the fearfully unnameable and unplaceable hybrid monstrosity, and now increasingly shape the substance of much of the artistic and creative work emerging from the region." --The Author
