367 p., Examines the lasting consequences of the anticolonial, antislavery discourses of the Haitian Revolution on the way in which postcolonial Haitians understood the narrative structure of their national history from Independence (1804) to the end of the American Occupation of Haiti (1934). In this study Haitian intuitions of historical time are apprehended through an analysis of nineteenth and early twentieth century Haitian literary and historical works. These texts are scrutinized with respect to (a) formal narrative features such as truncation, ellipsis, elision, prolepsis and analepsis which reveal an implicit understanding of the disposition of the metahistorical categories of "past," "present," and "future" and (b) the analysis of the explicit reflections on history provided by narrators or authors. This dissertation argues, primarily, that the event of the "Haitian Revolution" (1791-1804) was fundamental to Haitian understandings of the emplotment of the whole of Haitian history.
On Christmas Day 1521, in the Spanish colony of Santo Domingo, the first recorded slave revolt in the Americas occurred. A group of African, likely Wolof, slaves came together with native Indians led by the Taino cacique Enriquillo to assert their independence. Beyond being the first slave revolt in the Americas, it was also one of the most important moments in Colonial American history because it was the first known instance when Africans and Indians united against their Spanish overlords in the Americas.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Surveys the origins of rock 'n' roll from the minstrel era to the emergence of Bill Haley and Elvis Presley. Dispelling common misconceptions, this book examines rock's origins in hokum songs and big-band boogies as well as Delta blues, detailing the embrace by white artists of African-American styles long before rock 'n' roll appeared. This study ranges far and wide, highlighting not only the contributions of obscure but key precursors like Hardrock Gunter and Sam Theard but also the influence of celebrity performers like Gene Autry and Ella Fitzgerald. Too often, rock historians treat the genesis of rock 'n' roll as a bolt from the blue, an overnight revolution provoked by the bland pop music that immediately preceded it and created through the white appropriation of music until then played only by and for black audiences. Here, Birnbaum argues a more complicated history of rock's evolution from a heady mix of ragtime, boogie-woogie, swing, country music, mainstream pop, and R&B—a melange of genres that influenced one another along the way, from the absorption of blues and boogies into jazz and pop to the integration of country and Caribbean music into R&B.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
644 p., Covers the period from the end of slavery to the twentieth century. Its major themes are dependent labor groups, especially emigrants from Asia, the development and diversification of local economies, and the emergence throughout the region of varying degrees of national consciousness as well as forms of government.
Laurence,K. O. (Editor) and Ibarra, Jorge (Editor)
Format:
Book, Whole
Publication Date:
2011
Published:
London: Macmillan
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
644 p, Covers the period from the end of slavery to the twentieth century. Its major themes are dependent labor groups, especially emigrants from Asia, the development and diversification of local economies, and the emergence throughout the region of varying degrees of national consciousness as well as forms of government.
Explanations of the Abolitionist movement's success in Brazil (1888) have, since the 1960s and 1970s, emphasized the movement's material context, its class nature, and the agency of the captives. These analyzzes have misunderstood and gradually ignored the movement's formal political history. Even the central role of urban political mobilisation is generally neglected; when it is addressed, it is crippled by lack of informed analysis of its articulation with formal politics and political history. It is time to recover the relationship between Afro-Brazilian agency and the politics of the elite. In this article this is illustrated by analysing two conjunctures critical to the Abolitionist movement: the rise and fall of the reformist Dantas cabinet in 1884-85, and the relationship between the reactionary Cotegipe cabinet (1885-88), the radicalisation of the movement, and the desperate reformism that led to the Golden Law of 13 May 1888.
For women writers of the Caribbean as well as for larger marginalized communities, the relationship between oral traditions and written texts is a part of the defining thread of Caribbean historiography. This article draws on Waugh and Hutcheon to examine the use of such texts by women writers of the Hispanophone Caribbean in order to highlight narrative strategies of historically marginalized groups to contest hegemonic constructions of the nation.
Analyzes the prominent role played by first wave feminism and by women writers between 1898-1903 as the Jamaica Times articulated a broad-based, middle class nationalism and launched a campaign to establish a Jamaican national literature. This archival material is significant because it suggests a significant modification of anglophone Caribbean feminist, literary and nationalist historiography: first wave feminism was not introduced to Jamaica exclusively through black nationalist organizations in the late 19th and early 20th century, but emerged in a broader phenomenon of respectable, middle class nationalism encompassing Jamaican nationalism and Pan Africanism.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
157 p, This research proposal incorporates Afro-Venezuelan studies into basic education programs. It synthesizes a series of concepts on race, racism, discrimination, multiculturalism, inclusion and globalization, among others.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
202 p, "Why do the people of the French Caribbean still continue to be haunted by the memory of their slave past more than one hundred and fifty years after the abolition of slavery? What process led to the divorce of their collective memory of slavery and emancipation from France's portrayal of these historical phenomena? How are Martinicans and Guadeloupeans today transforming the silences of the past into historical and cultural manifestations rooted in the Caribbean? This book answers these questions by relating the 1998 controversy surrounding the 150th anniversary of France's abolition of slavery to the period of the slave regime spanning the late Enligtenment and the French Revolution. By comparing a diversity of documents - including letters by slaves, free people of color, and planters, as well as writings by the philosophes, royal decrees, and court cases - the author untangles the complex forces of the slave regime that have shaped collective memory. The current nationalization of the memory of slavery in France has turned these once peripheral claims into passionate political and cultural debates." --Jacket.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
521 p., Considers the U.S. South in relation to Latin America and the Caribbean. Given that some of the major characteristics that mark the South as exceptional within the United States— including the legacies of a plantation economy and slave trade— are common to most of the Americas. Contents include: Jane Landers' "Slave resistance on the southeastern frontier: fugitives, maroons, and banditti in the age of revolution"; J. Michael Dash's "Martinique/Mississippi: Edouard Glissant and relational insularity"; and Leigh Anne Duck's "Travel and transference: V.S. Naipaul and the plantation past."
Reviews Richard S. Dunn's Sugar and slaves; Keith Albert Sandiford's Cultural politics of sugar; Doris Y. Kadish's Slavery in the Caribbean Francophone World; C. L. R. James' The Black Jacobins
Schwarcz,Lilia Moritz (Author) and Gomes,Nilma Lino (Author)
Format:
Book, Whole
Publication Date:
2000
Published:
Belo Horizonte: Autêntica
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
191 p, Contents:
Presentation - Introduction: History and Anthropology: clashes in the border region / Lilia K. Moritz Schwarcz - Jacques Le Golf: a new border between anthropology and history / Ailton Jose Agostini - The use of hermeneutic anthropology by Robert Darnton / Alessandra El Far - Anthropology and history in the consumer market / Ciméa Barbato Bevilaqua - the anthropological concept of structure and its openness to the historical event / Claude G. Papavero - the temporality "Kalunga" in the historic space of quilombo / Cleyde R. Amorim - Romero: myth and history in Brazilian social thought / Maria Jose Campos - Gilberto Freyre and the new story: a possible approach / Nilma Lino Gomes - Being "pasante" in São Paulo: ritual practice among Bolivian immigrants / Sidney Antonio da Silva.
In the Caribbean, researching women's lives in the past is made easier by the discovery of a few key sources which allow an insight into the private sphere of Caribbean women's lives. These records of women who have lived in the Caribbean since the 1800s consist of memoirs, diaries and letters. The autobiographical writings include the extraordinary record of Mary Prince, a Bermuda-born enslaved African woman. Other sources which have been examined are the diaries of women who were members of the elite in the society, and educated women who worked either in professions or through the church to assist others in their societies.
Gainesville, FL: University Press of Florida Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
328 p, Content: The scope and limits of West Indian historiography -- The novel as history: Edgar Mittelholzer and V.S. Reid -- History as loss: determinism as vision and form in V.S. Naipaul -- Lamming and the mythic imagination: meaning and dimensions of freedom -- Beyond realism: Wilson Harris and the immateriality of freedom -- Transcending linear time: history and style in Derek Walcott's poetry -- From myth to dialectic: history in Derek Walcott's drama -- Edward Brathwaite and submerged history: the aesthetics of renaissance -- Configurations of history in the writing of West Indian women -- Africa in the historical imagination of the West Indian writer.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally published by Pan American Institute of Geography and History, Mexico. Issued as no. 186 of the Institute's Publicación, and as Historigrafias 2, Publicación 78, of the Institute's Comisión de Historia., 181 p, With the exception of biographical works, Goveia’s historiography is a comprehensive survey and commentary of important pre-1900 books on the British West Indies located at the University College of the West Indies and the Institute of Jamaica.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
177 p, With the exception of biographical works, Goveia’s historiography is a comprehensive survey and commentary of important pre-1900 books on the British West Indies located at the University College of the West Indies and the Institute of Jamaica.
