367 p., Examines the lasting consequences of the anticolonial, antislavery discourses of the Haitian Revolution on the way in which postcolonial Haitians understood the narrative structure of their national history from Independence (1804) to the end of the American Occupation of Haiti (1934). In this study Haitian intuitions of historical time are apprehended through an analysis of nineteenth and early twentieth century Haitian literary and historical works. These texts are scrutinized with respect to (a) formal narrative features such as truncation, ellipsis, elision, prolepsis and analepsis which reveal an implicit understanding of the disposition of the metahistorical categories of "past," "present," and "future" and (b) the analysis of the explicit reflections on history provided by narrators or authors. This dissertation argues, primarily, that the event of the "Haitian Revolution" (1791-1804) was fundamental to Haitian understandings of the emplotment of the whole of Haitian history.
On Christmas Day 1521, in the Spanish colony of Santo Domingo, the first recorded slave revolt in the Americas occurred. A group of African, likely Wolof, slaves came together with native Indians led by the Taino cacique Enriquillo to assert their independence. Beyond being the first slave revolt in the Americas, it was also one of the most important moments in Colonial American history because it was the first known instance when Africans and Indians united against their Spanish overlords in the Americas.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Surveys the origins of rock 'n' roll from the minstrel era to the emergence of Bill Haley and Elvis Presley. Dispelling common misconceptions, this book examines rock's origins in hokum songs and big-band boogies as well as Delta blues, detailing the embrace by white artists of African-American styles long before rock 'n' roll appeared. This study ranges far and wide, highlighting not only the contributions of obscure but key precursors like Hardrock Gunter and Sam Theard but also the influence of celebrity performers like Gene Autry and Ella Fitzgerald. Too often, rock historians treat the genesis of rock 'n' roll as a bolt from the blue, an overnight revolution provoked by the bland pop music that immediately preceded it and created through the white appropriation of music until then played only by and for black audiences. Here, Birnbaum argues a more complicated history of rock's evolution from a heady mix of ragtime, boogie-woogie, swing, country music, mainstream pop, and R&B—a melange of genres that influenced one another along the way, from the absorption of blues and boogies into jazz and pop to the integration of country and Caribbean music into R&B.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
644 p., Covers the period from the end of slavery to the twentieth century. Its major themes are dependent labor groups, especially emigrants from Asia, the development and diversification of local economies, and the emergence throughout the region of varying degrees of national consciousness as well as forms of government.
Laurence,K. O. (Editor) and Ibarra, Jorge (Editor)
Format:
Book, Whole
Publication Date:
2011
Published:
London: Macmillan
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
644 p, Covers the period from the end of slavery to the twentieth century. Its major themes are dependent labor groups, especially emigrants from Asia, the development and diversification of local economies, and the emergence throughout the region of varying degrees of national consciousness as well as forms of government.
Explanations of the Abolitionist movement's success in Brazil (1888) have, since the 1960s and 1970s, emphasized the movement's material context, its class nature, and the agency of the captives. These analyzzes have misunderstood and gradually ignored the movement's formal political history. Even the central role of urban political mobilisation is generally neglected; when it is addressed, it is crippled by lack of informed analysis of its articulation with formal politics and political history. It is time to recover the relationship between Afro-Brazilian agency and the politics of the elite. In this article this is illustrated by analysing two conjunctures critical to the Abolitionist movement: the rise and fall of the reformist Dantas cabinet in 1884-85, and the relationship between the reactionary Cotegipe cabinet (1885-88), the radicalisation of the movement, and the desperate reformism that led to the Golden Law of 13 May 1888.
For women writers of the Caribbean as well as for larger marginalized communities, the relationship between oral traditions and written texts is a part of the defining thread of Caribbean historiography. This article draws on Waugh and Hutcheon to examine the use of such texts by women writers of the Hispanophone Caribbean in order to highlight narrative strategies of historically marginalized groups to contest hegemonic constructions of the nation.
Analyzes the prominent role played by first wave feminism and by women writers between 1898-1903 as the Jamaica Times articulated a broad-based, middle class nationalism and launched a campaign to establish a Jamaican national literature. This archival material is significant because it suggests a significant modification of anglophone Caribbean feminist, literary and nationalist historiography: first wave feminism was not introduced to Jamaica exclusively through black nationalist organizations in the late 19th and early 20th century, but emerged in a broader phenomenon of respectable, middle class nationalism encompassing Jamaican nationalism and Pan Africanism.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
157 p, This research proposal incorporates Afro-Venezuelan studies into basic education programs. It synthesizes a series of concepts on race, racism, discrimination, multiculturalism, inclusion and globalization, among others.
