African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
3 vols
Notes:
Contents: v. 3. An historical survey of the French colony in the island of St. Domingo: comprehending an account of the revolt of the negroes in the year 1791, and a detail of the military transactions of the British army in that island
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
247 p., The Southern Caribbean was the last frontier in the Atlantic world and the most contested region in the Caribbean during the Age of Revolution. The three British colonies of Grenada, Trinidad and Demerera were characterized by insecurity and personified by the high mobility of people and ideas across empires; it was a part of the Caribbean that, more than any other region, provided an example of the liminal space of contested empires. Because of the multiculturalism inherent in this part of the world, as well as the undeveloped protean nature of the region, this was a place of shifting borderland communities and transient ideas, where women in motion and free people of color played a central role.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
336 p, Joseph Conrad, Jean Rhys, and Pramoedya Ananta Toer are writers renowned for crafting narratives of great technical skill that resonate with potent truths on the colonial condition. Yet given the generational and geographical boundaries that separated them, they are seldom considered in conjunction with one another. The Passage of Literature unites the three in a bracing comparative study that breaks away from traditional conceptions of modernism, going beyond temporal periodization and the entrenched Anglo-American framework that undergirds current scholarship.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
336 p., Traces a trio of interrelated modernist genealogies. English modernism as exemplified by Conrad's Malay trilogy, Indonesian modernism of Pramoedya's Buru quartet, and creole modernism of the Caribbean in Rhys's Good Morning, Midnight and Wide Sargasso Sea.
