It may also have helped English-speaking migrants from the Caribbean that Florida served as a broad entry point for Caribbean migrants from Cuba, Haiti, and other countries: Where an area has a strong tradition of immigration, prevailing social attitudes are not likely to be as parochial as those in traditionally closed communities. Again, this is not to minimize the difficulties that particular migrants have faced; it is to acknowledge the fairly obvious point that some communities are less impenetrable for outsiders than others. A recent study by the British Cabinet Office has found that Caribbean women constitute a significant success story at the professional level. Specifically, for the generation born between 1940 and 1959, as many as 45 percent of the black women from the Caribbean, or who are of Caribbean heritage, now hold professional or managerial jobs, as against 27.3 percent of the black men in the same category. For the generation born between 1960 and 1979, 38.1 percent of the black women with Caribbean roots are professionals or managers, in comparison with 28.6 percent of the black men. These figures warn us that gender is now a significant factor in determining the prospects of Caribbean migrants to Britain, and they highlight the need for a broader examination of the factors that determine success for those who, in Claude McKay's words, may find themselves "a long way from home."
Talk to Richard Lue and it becomes clear that not nearly enough Caribbean people are heading `home'. Neither are enough African Americans trying to discover the Caribbean, although their connection with the culture has long been established in the U.S. That's why Lue was appointed Air Jamaica's regional manager for special markets in the southern U.S. Another Air Jamaica representative has been given similar responsibilities for the northern states. "It wasn't neglect," said Lue. "It just wasn't accountability. We've always been there. The problem was internally. We feel we can get more out of that (Caribbean) market." "To me it's no big deal," he said. "The problems in Jamaica are serious, but Jamaica has never been an easy sell. But it is a challenge. It is because of 9/11 that we realized we had to diversify our markets and give importance to all the markets. The challenge is there, but we just have to deliver."
"It is a play about two people who love each other," explains Greta Mendez, the play's Trinidadian-born director. "The external elements of racism have affected their relationship. "As the battle is raging in Trinidad, [Elvira] and [Rohan] are raging. They are having their own coup and trying to work it out." "I call it the battlefield of heart and soul" "The divide-and-rule syndrome is still happening and the play is saying, `Let us look at that'." * Coups and Calypsos runs until February 28 at the Oval House, 52-54 Kennington Oval, London SE11 at 7.45 pm each night. Tickets from £5.50; box office: 0171-5827680.
Verila, on the other hand, is a woman who is in constant flight and change. She lives in Canada and has returned to her island birthplace, ultimately in search of happiness. Elizete professes her love for Verila early in the book. The excitement and overwhelming for desire Elizete has for Verila is palpable. She claims, "I abandon everything for Verila. I sink in Verila and let she flesh swallow me up. I devour her. She open me up like any morning. Limp, limp and rain light, soft to the marrow."
