Dantas,Beatriz Góis (Author) and Berg,Stephen (Translator)
Format:
Book, Whole
Publication Date:
2009
Published:
Chapel Hill: University of North Carolina Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
198 p., Compares the formation of religious traditions and ethnic identities in the Brazilian states of Sergipe and Bahia, revealing how they diverged from each other due to their different social and political contexts and needs.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
302 p, Outlines the key research in Caribbean studies from history, anthropology, sociology, linguistics, and folklore, examining classic ethnographies as well as new scholarship. Highlights the major concepts and debates in the anthropology and history of the Caribbean, including its unique Anglo, French, and Hispanic communities. Offers an overview of the strong traditions of art, literature, music, dance, and architecture in the Caribbean.
Crossroads populate religious and folkloric beliefs all around the world. Stories of an intersection of dimensions, as well as of roads where a guardian-trickster deity awaits to carry human desires to the gods, are widely encountered in European, Caribbean, and West African lore (as well as the legends formed around blues and rock stars). The symbolism of the crossroads speaks directly to one's innate recognition of a charged metaphorical space; a space that is liminal, betwixt-and-between. This notion of the crossroads serves as inspiration for examining the relationship between U2's music and listeners' progressive political awareness—the marriage of critical consciousness and action for social justice and change. To this end, an in-depth study is carried out of six listeners' experiences at the potent crossroads of their developing progressive awareness and their encounters with U2's music.
Moreman,Christopher M. (Author) and Rushton,Cory James (Author)
Format:
Book, Whole
Publication Date:
2011
Published:
Jefferson, NC: McFarland
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
232 p, "Explores numerous aspects of the zombie phenomenon, from its roots in Haitian folklore, to its evolution on the silver screen, to its most radical transformation during the 1960s countercultural revolution. Contributors examine the zombie and its relationship to colonialism, orientalism, racism, globalism, capitalism and more" --Provided by publisher.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
284 p., An anthropological study of music as social activism and postcolonial identity development. The research for this dissertation was conducted in Trinidad and Tobago during an extended period of fieldwork from August 2003-February 2005, and during subsequent research trips from 2005 through 2008. This dissertation is a social history of the evolution of rapso, a genre of music that is heavily oriented toward poetic lyrics that advocate for social justice and the upliftment of the oppressed in Trinidad and Tobago. Grounded in oral and archival history and performance analysis, this study addresses the complex interconnections between the political economy of cultural production in Trinidad and Tobago, the politics of racial, gender, and national identity, and the individual quest for self-affirmation and meaning in life through the pursuit of artistic and activist work.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
275 p., Explores the complicated post-colonial infrastructure of Caribbean society and life as an African American through the work of Erna Brodber. Brodber's novels "Jane and Louisa Will Soon Come Home," "MYAL," and "Louisiana" all explore various facets of the Caribbean and African American experiences. The author traces nuances of the Caribbean psyche, the importance of matriarchs, traditional slave dances, obeahs, Santeria and other African-based religious expressions, as well as politics and history.
152 p., Sheds light on the importance of orality as it is embedded in the cultural traditions of the Colombian Caribbean. Examines the different ways in which orality is manifested and produced in Colombian popular culture and literature. Also explores the dynamics of "primary orality," in which orality compensates for the absence of knowledge or usage of a written alphabet, and "secondary orality," in which orality is sustained by a technological device, in this case the cassette.
