The story of Carmen (Mérimée 1845, Bizet 1875), the (in)famous Gypsy from Spain, is the second most adapted narrative in the history of world cinema with more than eighty global versions officially recognized to date; however, one significant and critical version has been overlooked, the controversial 1991 film María Antonia (Cuba), by Afro-Cuban filmmaker Sergio Giral.
Examines the book Violated by Guitele Jeudy Rahill and the film Dancehall Queen directed by Don Letts. It sites that both works explore the politics of black female sexuality related to upward mobility and economic survival in Caribbean settings. It also examines female sexuality as marketplace and analyzes the use of the black female body for mobility purposes.
Paul,Ron C. (Author) and Editorial Bukante (Editor)
Format:
Video/DVD
Publication Date:
2006
Published:
Port-au-Prince, Haïti: Bukante
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
DVD, 1 videodisc (48 min.)
Notes:
Virtual exhibition on the painters of northern Haiti. Highlights works by Junior Abraham, Patrick Alexis, Alfred Altidor among others. In Creole with optional French, Spanish or English subtitles.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 videocassette (45 min.), Documentary on the rural communities in Alcântara, Brazil (in the state of Maranhão), descendants of the quilombos founded by Blacks who had escaped from slavery. The documentary explores the communities' historical narratives, rituals, festivals, use of land and natural resources, and describes the displacement of families for the construction and expansion of the Centro de Lançamento de Alcântara (a launching base for rockets and satellites).
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
35 p, Faz parte de um projeto não concluído do autor, sobre a presença e influência da música popular nos primórdios do cinema brasileiro. Alex Viany, historiador, crítico e ensaísta acompanhou de perto o nascimento do Cinema Novo, trabalhou em Holloywookd para a revista Cruzeiro entre 1945 e 1948, dirigiu filmes, sendo os mais importantes Agulha no Palheiro (1962) e A Noiva da Cidade (1978)
