The dramatic vision and delicate balance of composition found in Adona's photographic works were developed while working with painter Rozzell Sykes. Her vision was literally changed. The awareness of light, shadows, colors, textures, tones and balance had changed. Soon she began creating with paint, stark images with the feel of Japanese simplicity. [Alisa Adona]'s paintings showed a freshly textured view and an exciting new eye in the Los Angeles art world. Over time, she was compelled to capture what she saw through the lens of a camera, ultimately making photography her new love.
An exhibit, curated by well-known photographer Michael Chambers, entitled "Bathurst Stripped" is celebrating the history of a street in Toronto that was home to many immigrants from the Caribbean. Chambers has produced a photo-based installation of a barrel. This piece recognizes the contributions and sacrifices of the new immigrants and "The Barrel Children." A recent photo of Linda Carter who was the first black model in Canada to achieve prominence in the 1970s wraps the barrel which is filled with items such as corned beef, books and toys - things sent back to families in the Caribbean.
The Rastafarian exhibition in the Smithsonian Museum of Natural History recounts the history and reveals nuance to a movement that celebrates African liberation, global peace and "one love." A glass case at the Smithsonian exhibit displays such manuscripts as the Holy Piby, a proto-Rastafarian text that was widely circulated across the African Diaspora before being banned in Jamaica during the 1920s.
Yet [Dennis Morris]'s `funny' speech not only attracted [Bob Marley] but helped to open a door into the exciting world of photography that would soon spiral him towards success. Now people will be able to get an eyeful of Morris's talent in Growing up Black, an exhibition in London depicting his life as a '70s teenager. "My black friends couldn't understand why I wanted to associate with a white punk band," Morris says.
