Tambú represents a ritual from Curaçao, largest of the Netherlands Antilles, employed by the island’s African peoples as a religio-spiritual vehicle. In Dutch mainland cities, however, the Tambú has developed into a type of party music, with Curaçaoan immigrants joining other African and Afro-Caribbean immigrants to explore and express complex collective identities. These reinvented tambú parties constitute new sites of cultural reproduction as well as contestation, of solidarity as well as difference, providing the rare occasion to observe diasporic belonging among Afro-Caribbean communities in the Netherlands. These contemporary tambú parties provide a needed space to negotiate competing and overlapping identities, enabling both a specific Antillean identity as well as a more inclusive diasporic identity.
Focuses on specific aspects of the independent, creative network of musicians who in the late 1960s and early 1970s bonded together as the nueva canción or nueva canción movement across the Latin American continent, the Caribbean, and Spain. The author traces nueva canción through various key phrases. Nueva canción describes a music enmeshed within historical circumstances which included: the forging of revolutionary culture in Cuba; the coming together of political parties to form a coalition to elect the first ever socialist president in Chile in 1970; resistance to brutal Latin American dictatorships; and the struggle for new democracies. The music was often referred to by different names in different countries. It was known as: nueva cancionero (new song book) in Argentina; nueva canción (new song) in Chile and Peru; nueva trova (new song) in Cuba; and volcanto (volcanic song) in Nicaragua. Nueva canción musicians never saw their music as protest song. Nueva canción was regarded as a social force in itself and a key resource for creating collective bonds. This movement in its various forms was an emblematic music of the 1960s, 1970s, and 1980s. Functioning as both a national and international music, nueva canción has become part of the active memory of this period. Its potent legacy can be seen in the fact that many high-profile commercial singers today continue to be influenced by it: nueva canción continues to be perceived as a legitimate, unifying, and active force for peaceful change.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
234 p, The book examines the four hundred years of the Atlantic slave trade, covering the West and East African experiences, as well as all the American colonies and republics that obtained slaves from Africa. It outlines both the common features of this trade and the local differences that developed. It discusses the slave trade's economics, politics, demographic impact, and cultural implications in Africa and America. Finally, it places the slave trade in the context of world trade and examines the role it played in the growing relationship between Asia, Africa, Europe and America.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
177 p, In 1502, the first African slaves were taken to Hispaniola. In 1888, Brazil became the last western-hemisphere country to outlaw slavery. Yet for the nearly 400 years in between, slavery played a major role in linking the histories of Africa, North and South America, and Europe. "The Atlantic Slave Trade" begins with an overview of African slavery in the new world, then delves deeply into the phenomenon itself with essays on five separate issues: The capture of slaves and the Middle Passage,
Identities of the enslaved and their lives after capture, The economics of the slave trade, The struggle to end slavery, and The slave trade's legacy.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
39(2) : 196-210
Notes:
Reviews several books on slavery. Silver, Trade and War: Spain and America in the Making of Early Modern Europe, by Stanley J. Stein and Barbara H. Stein; Black Society in Spanish Florida, by Jane Landers; Gobernar Colonias, by Josep M. Fradera.;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
477 p., This study is a "deep history" of the British invasion and occupation of Havana and western Cuba (1762-3) at the end of the Seven Years' War. By contextualizing this event within the broader story of intercolonial relations of war, trade, and slavery from 1713 to 1790, it demonstrates that the British occupation was a continuation and expansion of relations that preceded and postdated the invading warships' arrival. These Anglo-Cuban relations were forged through contraband commerce, the British slave trade to Cuba, and the practices of interimperial warfare, all of which undermined Spanish sovereignty in Cuba and linked its populations of both European and African descent to its British colonial neighbors.
In celebration of the 50th anniversary of the arrival of the Windrush, Prince Charles, in collaboration with the Windrush Foundation, invited 30 of the surviving settler s, their friends and family and a whole host of stars and celebrities to a reception at St James' Palace last Thursday. Luminaries
