African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
p. 570
Notes:
"This dissertation explores the discursive and material practices that Afro-Antilleans in the Archipelago of Bocas del Toro (Panama) employ to craft and assert their identity for tourist consumption. In participating in the transnational circuits of tourism, Panamanian Afro-Antilleans stage a complex and subtle cultural politics vis-à-vis the state and Panama's multicultural society. The transnational process that is tourism produces rather than reduces difference. This production must be understood historically and with respect to national racial policies." (author)
Haiti (Author), Haiti. Bureau national d'ethnologie (Author), and Jay I. Kislak Reference Collection (Library of Congress)
Format:
Book, Whole
Publication Date:
1984-1997
Published:
Port-au-Prince, Haïti: Bureau Nacional d' Ethnologie
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 microfiche, A bulletin from the Haitian National Bureau of Ethnology, with studies on the following topics: prehispanic cultures from Haiti, the caribbean Conquest and popular religions. Includes bibliographical references and notes.
"The description of Negro family life in Bahia, Brazil, as given by E. F. Frazier is reviewed. The disintegration of African patterns held to have resulted from white contact, when analyzed in terms of aboriginal tribal family organization, particularly with reference to underlying sanctions, is found to exist to a very slight degree. The Afro-Bahian family manifests traits particular to it, but these are the results of accommodation to an acculturative situation, and are not a sign of demoralization." --The Author
"While plotting out the journeys that paved the way for their creative and innovative work in Afro-Cuban and African American ethnography, this study will address their bifocal vision as insider-outsiders within the minority cultures they represent in folktales and within the 'foreign' cultures to which they traveled. Cabrera's and Hurston's roles as 'native ethnographers' will also be considered. In creating alternatives to traditional ethnographies, such as Franz Boas's Bella Bella Tales (1932), their collections can be understood as early examples of experimental and feminist ethnography." (author)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
294 P., First published in 1942 at the crest of her popularity, this is Zora Neale Hurston's unrestrained account of her rise from childhood poverty in the rural South to prominence among the leading artists and intellectuals of the Harlem Renaissance.
