A critical analysis of Henry Louis Gates, Jr.'s PBS documentary film series Black in Latin America. The author discusses Gates' exploration of the history of early race mixture, the contemporary valorization of Blackness, and racial inequality in Brazil.
A critical analysis of Henry Louis Gates, Jr.'s PBS documentary film series Black in Latin America. The author discusses the conceptualization of blackness in the Dominican Republic.
There are 38.9 million blacks in the United States. According to the 2000 census there are 75.9 million citizens of Brazil who would be classified as African American in the U.S. Since there are only 91.3 million Brazilian whites, who dominate the country, one wonders why so many blacks are living in poverty in favelas (slums).
A critical analysis of Henry Louis Gates, Jr.'s PBS documentary film series Black in Latin America. Explores how racial polemics are explicitly entangled with the politics of Revolution in Cuba. Adapted from the source document.
President Obama eventually intervened to defuse the tension by inviting both the professor and the arresting officer to the White House for a glass of beer by Rose Garden. Prior to the media circus surrounding that "Beer Summit," Dr. Gates was already well known as a tenured Professor at Harvard University, as well as director of the W.E.B. Du Bois Institute for African and African-American Research.
Despite their great numbers, the cultural and social worlds that they created remain largely unknown to most Americans, except for certain popular, cross-over musical forms. [Henry Louis Gates, Jr.] sets out on a quest to discover how Latin Americans of African descent live now, and how the countries acknowledge-or deny-their African past; how the fact of race and African ancestry play themselves out in the multicultural worlds of the Caribbean and Latin America. Starting with the slave experience and extending to the present, Professor Gates unveils the history of the African presence in the countries through art, music, cuisine, dance, politics and religion, but also through the presence of anti-black racism that has sometimes sought to keep the black cultural presence from view.
KW: Dr. Karanja Ajanaku, (executive editor of the Memphis Tri-State Defender, says: "You seem to be making the point that in the U.S., we are mostly unaware, substantively, of "blacks" in Latin America. Would you speak to how aware or unaware, substantively, "blacks" in Latin America are of African Americans? HLG: No, I didn't see any sign of that, because most of those folks' first identity is a national one, as a Brazilian or a Cuban, not as a black person. For instance, in the Dominican Republic episode, Juan Rodriguez says he never even thought of himself as black until he visited New York. One of the points of the series is that identity is a very complex and ever-shifting matter. We might think that these people are obviously black, but they might not identify themselves that way.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally produced as documentary film in 1990., 1 videocassette (50 min.), Based on a collection of poems by Guyanese British writer, Grace Nichols, this program chronicles the history of slavery through the eyes of Caribbean women. Presented through a combination of monologue, dance and song.
A critical analysis of Henry Louis Gates, Jr.'s PBS documentary film series Black in Latin America. The authors examine Gates' presentation of blackness in Mexico and Peru. Their critique of the film focuses on the themes of national ideology, racial categorization, and portrayals of the 'black' experience.
