African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
191 p, "[E]xplores the articulation of diasporic consciousness in two domains of post-colonial diaspora discourse: cultural critical theory and literature. Examined in the domain of cultural critical theory is a corpus of writings produced by Stuart Hall, Paul Gilroy, Kobena Mercer and Homi Bhabha. The literary texts examined are Buchi Emecheta's Second-Class Citizen, Joan Riley's The Unbelonging, Marlene Nourbese Philip's Harriet's Daughter, and Bharati Mukherjee's Jasmine." (author)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
517 p., Focuses on the period after the Second World War, when a significant number of Caribbean countries gained their independence, and the character of the region's post-colonial politics had become clear. The survey of political thought in this collection is divided into four sections: theories of the post-colonial state, theorizing post-colonial citizenship, Caribbean regionalism and political culture.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
174 p., Reading the fiction of Jamaica Kincaid, Dionne Brand, Jean Rhys, Erna Brodber, and Michelle Cliff alongside British texts such as Dickens's Great Expectations and Bronte's Jane Eyre, Renk demonstrates how contemporary Anglophone Caribbean women's writing radically subverts the myth of the family as it is constructed in 19th century British and colonial texts. These women writers reconfigure Caribbean identity, family, and nation according to cross-cultural, trans-national and transtemporal paradigms.
Williams,Patrick (Author) and Chrisman,Laura (Author)
Format:
Book, Whole
Publication Date:
1994
Published:
New York: Columbia University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
570 p, Includes an Aime Cesaire excerpt "from Discourse on colonialism," Stuart Hall's "Cultural identity and diaspora," and Paul Gilroy's "Urban social movements, 'race' and community"
351 p., Explores the racial and gender decolonization of New York and Curaçaoan women in a select group of novels, paintings and performance text by women from Curaçao and New York City. The Curaçaoan novels are: Aliefka Bijlsma's Gezandstraald [Sandblasted] (2007); Loeki Morales' Bloedlijn Overzee: Een Familiezoektocht [Overseas Bloodline: A Family Search] (2002); Myra Römer's Het Geheim van Gracia [The Secret of Gracia] (2008). The Curaçaoan painters are: Jean Girigori (1948), Minerva Lauffer (1957) and Viviana (1972). The New York novels and performance text are: Black Artemis' Picture Me Rollin' (2005), Angie Cruz's Soledad (2003) and Nelly Rosario's Song of the Water Saints (2002) and Josefina Báez's Dominicanish (2000). The ways the women characters, figures, images and voices align to subvert gendered delineations as well as the stifling cultural and colonial imprints on their bodies and their selves in Curaçao and New York are central to the decolonizing project explored here.
Literary criticism of the books "Corregidora" by Gayl Jones and "Lucy" by Jamaica Kincaid. Examines the novels' depictions of mother-daughter relationships and analyzes the cultural and psychosocial forces encountered by the protagonists.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
160 p., Chronicles the history of slavery in Haiti through a recitation of the brutality of the colonisers and the often mundane and trivial ways in which they attempted to dehumanize Haitians. It seeks to illustrate how Haitians' 300-year journey to freedom was illuminated by the African philosophy of Ubuntu, a world view that embodies human solidarity, respect, dignity, justice, liberty, and love. In this philosophy, Africans found an unmatched strength to resist slavery.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
223 p, Ileana Rodriguez's House/Garden/Nation: Space, Gender, and Ethnicity in Post-Colonial Latin American Literatures by Women offers an insightful look into the role the feminine has played in the constructions of nation and nationalism in critical moments of Latin American history. Although feminism is at the center of the study, it is always predicated by concerns of ethnicity and social class. (BNET);
243 p., Analyzes three novels by contemporary female Caribbean and Latin American Afro-descendent writers of the diaspora: Peruvian Lucía Charún-Illescas' Malambo (2001), Brazilian Ana Maria Gonçalves' Um defeito de cor (2006), and Puerto Rican Mayra Santos-Febres' Fe en disfraz (2009). In these texts, the old and the new intermingle in the space of the narrative. The colonial past is reexamined and reconstructed out of the need to understand its reminiscences into the present and the necessity to transform the future.
Myrsiades,Kostas (Author) and McGuire,Jerry (Author)
Format:
Book, Whole
Publication Date:
1995
Published:
Albany, NY: State University of New York Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
415 p, Includes Patrick Taylor' "Narrative, pluralism, and decolonization: recent Caribbean literature" and Mara L. Dukats' "The hybrid terrain of literary imagination: Maryse Condé's black witch of Salem, Nathaniel Hawthorne's Hester Prynne, and Aimé Césaire's heroic poetic voice"
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
312 p., Analyzes the conflicts between the British government and Caribbean nationalists over regional integration, the Cold War, immigration policy and financial aid in the decades before Jamaica, Trinidad and the other territories of the Anglophone Caribbean became independent.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
323 p., A comprehensive study of the decisive 5-year period between 1962 and 1967 which witnessed the unfolding of an intense decolonization dialogue between Britain and its far-flung Eastern Caribbean possessions at the height of the Cold War.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
412 p, Includes Thomas Bonnici' "Diaspora in Caryl Phillips's Crossing the river (1993)" and Adrian Grima's "They are us": interview with Caryl Phillips"
