168 p., Explores Caribbean literature that contests the privileging of nation and diaspora community models, and instead presents the spontaneous and productive formation of communities through praxis. Conceptualizing community through this lens challenges systemic emphases on unity, shared history, and shared identity, while it simultaneously incorporates difference at its very foundation. The author draws on Caribbean and postcolonial theory, subaltern studies historiography, and feminist theory in my analysis of Caryl Phillips's The Atlantic Sound , Erna Brodber's Louisiana, Zee Edgell's Beka Lamb , and Maryse Condé's I, Tituba, Black Witch of Salem.
To honor our sacred heritage, to bear the burden and glory of our history, we must self-consciously resume our vanguard role in the midst of the liberation struggles of the world.
An exhibit, curated by well-known photographer Michael Chambers, entitled "Bathurst Stripped" is celebrating the history of a street in Toronto that was home to many immigrants from the Caribbean. Chambers has produced a photo-based installation of a barrel. This piece recognizes the contributions and sacrifices of the new immigrants and "The Barrel Children." A recent photo of Linda Carter who was the first black model in Canada to achieve prominence in the 1970s wraps the barrel which is filled with items such as corned beef, books and toys - things sent back to families in the Caribbean.