"In London and in the North American cities where migrants from the Caribbean have instituted Carnival, the majority of people are ignorant about the nature of calypso: it is stereotyped in their minds as music for tourists. Accordingly, I would like to give a brief description of the true nature of calypso and of the steelband as an orchestra, so as to set the records straight and undo some the Eurocentric damage to Caribbean art forms." (author)
The "novel, as a more conscious artifact, is shaped in a more deliberate manner than poetry and revolutionary struggle in the novel is utilized with a well-defined intention. We will demonstrate these contentions by analysing the following novels: Bertene Juminer's Bozambo's Revenge, V. S. Naipaul's Guerrillas, and Alejo Carpentier's Explosion in a Cathedral." (author)
"Any attempt to trace the many resonances that historically have been attached to the creole figure in Caribbean literature and culture will be inflected by the long and pervading presence of colonialism in the region and its attendant corollary of hierarchical social separation and difference based on perceptions of race. Indeed, the ambivalent desire and subjective misrecognition that lay at the heart of historical writing about colonialism and racism have tended to frame the issues of monstrosity and exclusion that produced the creole as part and parcel of wider colonial discourses. Thus, the shifting and increasingly unstable inscription of the creole figure echoes, in a certain sense, certain critical ambiguities of politics and temporality that color the colonial encounter and its aftermath. Specifically, in the contemporary English- and French-speaking Caribbean, the multiplicity, displacement, and creative instability that undergird creole-driven theories of postcolonial performance have supplanted this category's suspect beginnings as colonialism's model for the fearfully unnameable and unplaceable hybrid monstrosity, and now increasingly shape the substance of much of the artistic and creative work emerging from the region." --The Author
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
186 p., Examines the language, religion, music and soil organization of the Jamaican people to reveal the strong cultural continuities with Africa - and the origins of the new cultural forms and political movements, such as Garveyism and Rastafarianism.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally published: Rio de Janeiro : EdUERJ, 1996., 4 vols., Contains: Vol. 1. A matriz africana no mundo -- Vol. 2. Cultura em movimento : matrizes africanas e ativismo negro no Brasil -- Vol. 3. Guerreiras de natureza : mulher negra, religiosidade e ambiente -- Vol. 4. Afrocentricidade : uma abordagem epistemológica inovadora.
Klein,Herbert S. (Author) and Luna,Francisco Vidal (Author)
Format:
Book, Whole
Publication Date:
2010
Published:
New York: Cambridge University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
364 p., Although Brazilians have incorporated many of the North American debates about slavery, they have also developed a new set of questions about slave holding: the nature of marriage, family, religion, and culture among the slaves and free colored; the process of manumission; and the rise of the free colored class during slavery. It is the aim of this book to introduce the reader to this latest research, both to elucidate the Brazilian experience and to provide a basis for comparisons with all other American slave systems.
"The social ascendancy of the drum reflects equally the gradual upward mobility of Cuba's black people. It is impossible to day to imagine any kind of modern Cuban music that does not include the restrained, or wild, rolling of the drum, making the rhythm of romantic songs or revealing the exuberance of the son, rumba, and other dance rhythms. I shall attempt here to briefly sketch of the Afro-Cuban drum from colonial times to present...." (author)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
"This book was also printed as a special edition in Accra, Ghana for the Brazilian Embassy, Ministry of Foreign Affairs of Brazil/Itamaraty. A bilingual edition (Portuguese-English) was launched during the inauguration of the Brazil House (15.11.2007) with ISBN 978-184799-013-6"., 146 p., Description of a community of freed slaves who came from Brazil in the mid 19th century and settled in Accra.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
319 p., An examination of Nicaragua's African roots. Reveals current manifestations in religion, dance, musical instruments, spells and incantations, meals, and African words.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
394 p., Manning begins in 1400 and traces five central themes: the connections that enabled Africans to mutually identify and hold together as a global community; discourses on race; changes in economic circumstance; the character of family life; and the evolution of popular culture. His approach reveals links among seemingly disparate worlds. In the mid-nineteenth century, for example, slavery came under attack in North America, South America, southern Africa, West Africa, the Ottoman Empire, and India, with former slaves rising to positions of political prominence. Yet at the beginning of the twentieth century, the near-elimination of slavery brought new forms of discrimination that removed almost all blacks from government for half a century.
Kingston, Jamaica: University of West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
248 p., Presents contemporary readings that contest in the areas of Caribbean religion, education, language, music, race, sexual behavior in a time of the AIDS pandemic, and the economy.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
189 p., Presents an Afrocentric analysis that acknowledges Mexico's African, Amerindian, Asian, and European ethnic heritages. This work introduces the theory of the widespread Africanization of Mexico from the 16th century onwards. It focuses on the idiosyncrasy of the people who have shaped and continue to carve Mexico and Mexicanness.
Foote,Nicola (Author) and ÉDiteur Scientifique (Author)
Format:
Book, Whole
Publication Date:
2013
Published:
New York, NY: Routledge
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
433 p, Provides a thorough and up-to-date overview of Caribbean history from the pre-Columbian era to the present. It brings together a range of classic and innovative articles and primary sources, to create an introduction to Caribbean political, economic, social and cultural currents, providing an important first reference point to scholars and students alike.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
260 p., Offers a comparative analysis of fiction from across the pan-Caribbean, exploring the relationship between literary form, cultural practice, and the nation-state. Engaging with the historical and political impact of capitalist imperialism, decolonization, class struggle, ethnic conflict, and gender relations, it considers the ways in which Caribbean authors have sought to rethink and re-narrate the traumatic past and often problematic 'postcolonial' present of the region's peoples.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
341 p, Studying cultural memory of the Grenada Revolution as it surfaces in literature, music, the visual arts, law, landscape, and everyday life, this book approaches the 1979-1983 Grenada Revolution as a pan-Caribbean event. Argues that in both its making and its fall, the 1979-1983 Revolution was a transnational event that deeply impacted politics and culture across the Caribbean and its diaspora during its life and in the decades since its fall.
Birbalsingh discusses Indo-Caribbean culture, and the origins and influences of Indo-Caribbean short stories, beginning with the marriage of Indian and African oral traditions. Several authors from throughout Indo-CAribbean literature are profiled, including A. R. F. Webber, V. S. Naipaul, and Samuel Selvon.;
