African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
246 p., Discusses the development, growth and influence of Caribbean soft power in music, dance and popular song as well as the contemporary novel in the Anglophone Caribbean and the North American and European diaspora. Issues such as Black Power,migrants, feminism and party politics are discussed at some length.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
239 p., Since 1492, the distinct cultures, peoples, and languages of four continents have met in the Caribbean and intermingled in wave after wave of post-Columbian encounters, with foods and their styles of preparation being among the most consumable of the converging cultural elements. This book traces the pathways of migrants and travelers and the mixing of their cultures in the Caribbean from the Atlantic slave trade to the modern tourism economy.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
341 p, Studying cultural memory of the Grenada Revolution as it surfaces in literature, music, the visual arts, law, landscape, and everyday life, this book approaches the 1979-1983 Grenada Revolution as a pan-Caribbean event. Argues that in both its making and its fall, the 1979-1983 Revolution was a transnational event that deeply impacted politics and culture across the Caribbean and its diaspora during its life and in the decades since its fall.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
326 p., Part of a series listing materials on the history of North America and the Caribbean from 1492 to 1815. Organized thematically, the book covers, among many other topics, exploration and colonization; maritime history; environment; Native Americans; race, gender, and ethnicity; migration; labor and class; business; families; religion; material culture; science; education; politics; and military affairs.
Hume,Yanique (Editor) and Kamugisha,Aaron (Editor)
Format:
Book, Whole
Language:
English; Some texts translated from French and Spanish.
Publication Date:
2013
Published:
Kingston, Jamaica: Ian Randle Publishers
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
623 p., Places classic texts in Caribbean Cultural Thought in dialogue with contemporary interrogations and explorations of regional cultural politics and debates concerning identity and social change; colonialism; diaspora; aesthetics; religion and spirituality; gender and sexuality and nationalisms. The result is a reader that presents a distinctive Caribbean voice that emphasizes the long history of critical writings on culture and its intersection with political work in the Caribbean intellectual tradition from within the academy and beyond.
One of the central goals of archaeology is the definition of regional cultural succession. Since at least the 1960s, archaeology has purported to have moved beyond the strictures of Culture History, and yet the constructs of that paradigm (styles, periods, cultures) continue to be used routinely. This work aims to show that by doing so, one is still implicitly subscribing to that theoretical perspective's assumptions and biases.
Foote,Nicola (Author) and ÉDiteur Scientifique (Author)
Format:
Book, Whole
Publication Date:
2013
Published:
New York, NY: Routledge
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
433 p, Provides a thorough and up-to-date overview of Caribbean history from the pre-Columbian era to the present. It brings together a range of classic and innovative articles and primary sources, to create an introduction to Caribbean political, economic, social and cultural currents, providing an important first reference point to scholars and students alike.
Proposes that civilizational analysis has yet to fully address the colonial legacy and, to clarify the stakes at play, compares and contrasts the historical sociology of CLR James with the mytho-poetics of Derek Walcott. Both authors, in different ways, have attempted to endow that quintessentially un-civilizable body -- the New World slave -- with subjecthood.