"A few months ago, a representative from Alpha Boys' Home reached out to [Nugent Walker] (Walker) asking if he would consider asking me to visit the boys', home. NJ shared the convo with me and I considered it a no-brainer to accept the invitation. The rep thought it would be great motivation to the boys for me to come by and just share my experience with them, and most importantly believing in one's dreams and working hard towards it. I said to NJ, however, I just didn't want to go share just words of encouragement, but also offer some gifts, thus we contacted Puma and got some items." Bolt, one of the German sportswear company's most recognisable brand ambassadors explained.
On Saturday, May 18, 2013, all children are invited for a special free day at A Taste of the Caribbean. Cultural workshops informing and educating children about our rich heritage will be conducted from 10:00 a.m. to 5:00 p.m. The day will be filled with entertainment from the Caribbean and Africa. Interactive workshops will feature the African drum experience, steel pan lessons, kite making, costume making, hair braiding, storytelling, African dance lessons and much more. Food and drinks on sale. Caribbean and African arts and crafts will be on display in the many kiosks and a playground filled with interactive games will entice the kids. In short, culture and entertainment the entire day! Motivational speakers will be on hand to encourage the young minds.
"It was a really hard tournament, but I surprised myself by reaching the semis," said [Bicknell]. "These players are very good, but the tournaments I have played earlier this year have really prepared me well." "I would like to thank my parents and coaches, who have helped to develop my career," a very elated Bicknell said. "He has improved tremendously, listens well, is very competitive, trains non-stop and is very focused. I know he will win one of these high-level tournaments in the future," predicted [Mel Spence].
"I was very impressed with Minister [Lisa Hanna]'s presentation," said Carmeta Albarus, Forensic Social Worker and Death Penalty Mitigator and author most recently of the The Making of Lee Boyd Malvo: The D.C. Sniper.
Gertler,Paul (Author), Heckman,James (Author), Pinto,Rodrigo (Author), Zanolini,Arianna (Author), Vermeerch,Christel (Author), Walker,Susan (Author), Chang,Susan M. (Author), and Grantham-McGregor,Sally (Author)
Format:
Pamphlet
Publication Date:
June 2013
Published:
National Bureau of Economic Research
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
58 p., Shows large effects on the earnings of participants from a randomized intervention that gave psychosocial stimulation to stunted Jamaican toddlers living in poverty. The intervention consisted of one-hour weekly visits from community Jamaican health workers over a 2-year period that taught parenting skills and encouraged mothers to interact and play with their children in ways that would develop their children's cognitive and personality skills. Study participants were re-interviewed 20 years after the intervention. Findings show that psychosocial stimulation early in childhood in disadvantaged settings can have substantial effects on labor market outcomes and reduce later life inequality.
Examines children's musical practices on Corn Island, some 52 miles off the Caribbean coast of Nicaragua, which has long been a site of cross-cultural interaction and exchange. In 1987, as part of the postwar peace agreements, two autonomous regions—north and south—were established on the Caribbean coast of Nicaragua. The cultural and education aspects of autonomy came to be envisioned largely through concepts of interculturalidad, or interculturalism. Children's musical practices enter into discourses of interculturalism in several ways. They are often important symbols of the future; informal genres of vernacular expression (such as singing games) are a key resource for curricular reform that aims to bring regional folklore into the classroom; and they are central to processes of cultural interaction, exchange, and transformation. This is because children's activities are often oriented toward playful improvisation and because children are key actors in processes of socialization and adaptation to changing circumstances. Expressive practices such as music are dialogic tools through which differences are enacted, through which boundaries are constructed within and between social groups. This understanding of interculturalism as an everyday practice helps us see how culture emerges from interaction and play and how communication is accomplished using a diverse pool of resources. This essay focuses on the children of Miskitu migrants on Corn Island, particularly on singing game performance.
Argues that the task for the researcher is attempting to understand how race and class differently interact in particular contexts. Concludes that a focus on Black Caribbean heritage families can further develop the concept of concerted cultivation, and demonstrate the complex ways in which, for these families, such a strategy is a tool of social reproduction but also functions as attempted protection against racism in White mainstream society.
Campbell,Patricia Shehan, (Ed.And Intro.) and Wiggins,Trevor, (Ed.And Intro.)
Format:
Book, Whole
Publication Date:
01/01; 2013
Published:
Oxford: Oxford University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
The following contributions are cited separately in RILM: Carlos R. ABRIL, Perspectives on the school band from hardcore American band kids (RILM ref]2013-00778/ref]); Mayumi ADACHI, The nature of music nurturing in Japanese preschools (RILM ref]2013-00779/ref]); Sarah J. BARTOLOME, Education and evangelism in a Sierra Leonean village (RILM ref]2013-00763/ref]); Marisol BERRÍOS-MIRANDA, Musical childhoods across three generations, from Puerto Rico to the U.S.A. (RILM ref]2013-00768/ref]); Tyler BICKFORD, Tinkering and tethering in the material culture of children's MP3 players (RILM ref]2013-00788/ref]); Sally BODKIN-ALLEN, Interweaving threads of music in the Whariki of early childhood cultures in Aotearoa/New Zealand (RILM ref]2013-00775/ref]); Gregory D. BOOTH, Economics, class, and musical apprenticeship in South Asia's brass band communities (RILM ref]2013-00789/ref]); Lily CHEN-HAFTECK, Balancing change and tradition in the musical lives of children in Hong Kong (RILM ref]2013-00776/ref]); Judah M. COHEN, Reform Jewish songleading and the flexible practices of Jewish-American youth (RILM ref]2013-00751/ref]); Eugene DAIRIANATHAN, Chee-Hoo LUM, Reflexive and reflective perspectives of musical childhoods in Singapore (RILM ref]2013-00770/ref]); Sonja Lynn DOWNING, Girls experiencing gamelan education and cultural politics in Bali (RILM ref]2013-00749/ref]); Andrea EMBERLY, Venda children's musical culture in Limpopo, South Africa (RILM ref]2013-00752/ref]); Anna HOEFNAGELS, Kristin Harris WALSH, Constructions and negotiations of identity in children's music in Canada (RILM ref]2013-00791/ref]); Beatriz ILARI, Musical cultures of girls in the Brazilian Amazon (RILM ref]2013-00756/ref]); Alan M. KENT, Celticity, community, and continuity in the children's musical cultures of Cornwall (RILM ref]2013-00760/ref]); Alexandra KERTZ-WELZEL, Children's and adolescents' musical needs and music education in Germany (RILM ref]2013-00774/ref]); Young-youn KIM, Tradition and change in the musical culture of South Korean children (RILM ref]2013-00777/ref]); Magali Oliveira KLEBER, Jusamara Vieira SOUZA, The musical socialization of children and adolescents in Brazil in their everyday lives (RILM ref]2013-00757/ref]); Lisa Huisman KOOPS, Enjoyment and socialization in Gambian children's music making (RILM ref]2013-00766/ref]); Elizabeth MACKINLAY, The musical worlds of Aboriginal children at Burrulula and Darwin in the Northern Territory of Australia (RILM ref]2013-00769/ref]); Noriko MANABE, Songs of Japanese schoolchildren during World War II (RILM ref]2013-00753/ref]); Kedmon MAPANA, Enculturational discontinuities in the musical experience of the Wagogo children of central Tanzania (RILM ref]2013-00783/ref]); Kathryn MARSH, Music in the lives of refugee and newly arrived immigrant children in Sydney, Australia (RILM ref]2013-00782/ref]); Sara Stone MILLER, Terry E. MILLER, The role of context and experience among the children of the Church of God and Saints of Christ, Cleveland, Ohio (RILM ref]2013-00781/ref]); Amanda MINKS, Miskitu children's singing games on the Caribbean coast of Nicaragua as intercultural play and performance (RILM ref]2013-00761/ref]); Marvelene C. MOORE, The musical culture of African American children in Tennessee (RILM ref]2013-00771/ref]); Sylvia NANNYONGA-TAMUSUZA, Girlhood songs, musical tales, and musical games as strategies for socialization into womanhood among the Baganda of Uganda (RILM ref]2013-00754/ref]); Robert PITZER, Youth music at the Yakama Nation Tribal School (RILM ref]2013-00750/ref]); Christopher ROBERTS, A historical look at three recordings of children's musicking in New York City (RILM ref]2013-00792/ref]); Natalie SARRAZIN, Children's urban and rural musical worlds in North India (RILM ref]2013-00764/ref]); Hope Munro SMITH, Children's musical engagement with Trinidad's Carnival music (RILM ref]2013-00767/ref]); Janet L. STURMAN, Integration in Mexican children's musical worlds (RILM ref]2013-00759/ref]); Polo VALLEJO, Georgian (Caucasus) children's polyphonic conception of music (RILM ref]2013-00758/ref]); Peter WHITEMAN, The complex ecologies of early childhood musical cultures (RILM ref]2013-00780/ref]); Trevor WIGGINS, Whose songs in their heads? (RILM ref]2013-00793/ref]).
Draws on qualitative data exploring the experiences of first-generation middle-class Black Caribbean-heritage parents, their own parents, and their children. Focuses on the different ways in which race and class intersect in shaping attitudes towards education and subsequent educational practices.
Prior to the twenty-first century, nonfiction picture books in Britain rarely focused on the Black British community. As twenty-first-century Britain struggles to define itself, the education system is one way of institutionalizing and standardizing what it means to be British. By aligning with the National Curriculum standards, publishers of children's nonfiction have found ways to negotiate boundaries and re-envision meaning. Recent texts have used traditional models for British children's nonfiction to focus on areas of citizenship, identity, and history, but by redefining the boundaries between nation/outsider, self/other, and insider/outsider, have created new spaces for British identity and citizenship.
