African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
341 p., Examines the long-running debate between the proponents of Afro-Cuban cultural manifestations and the predominantly white Cuban intelligentsia who viewed these traditions as "backward" and counter to the interests of the young Republic. Includes analyses of the work of Felipe Pichardo Moya, Alejo Carpentier, Nicolás Guillén, Emilio Ballagas, José Zacarías Tallet, Felix B. Caignet, Marcelino Arozarena, and Alfonso Camín.
223 p., This dissertation engages with radical Caribbean theater as a crucial literary archive that is nonetheless underexplored as an expression of political culture and thought. The theoretical grounding of the chapters emerges from the analytically generative thrust of a comment by C. L. R. James in The Black Jacobins: "to neglect the racial factor as merely incidental is an error only less grave than to make it fundamental." While the phrase asserts that race cannot be neglected, it also cautions against ensconcing race as fundamental analytical priority, suggesting a powerfully fluid conceptualization of radical political culture. Argues that radical theater projects in Jamaica and the Dominican Republic share this fluid conceptualization of radical politics with the Trinidadian James's own stage versions of the Haitian Revolution.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
183 P., "Demonstrating how Latin American magical realism and Holocaust literature reflect and refract in literary form the carnivalesque spirit of
inversion, intensification of experience, and hallucinatory strangeness. Drawing on the works of Mikhail Bakhtin, Carl Jung, James Frazer, and others, Danow is able to suggest a striking and subtle connection between two genres that on the surface
would appear to have little in common." --Lynn Gelfand, Folklore Forum 29:1 (1998), p. 130.
