Reads Carnival-related performances in relationship to the colonial and national histories of the circulation of Indian and black women's bodies in Trinidad and Tobago, asking what is at stake in these occupations of genre, form, and performative presence in the latest global scenes of late capitalism (where image and sound, as cultural productions, are always in circulation beyond the scope of the nation, and their own "original" referents).
Wintersteen,Benjamin (Author) and Browne,Katherine E. (Author)
Format:
Book, Whole
Publication Date:
2010
Published:
Lewiston, NY: Edwin Mellen Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
136 p., Examines the religious, mythological and performance elements of the Afro-Caribbean street festival. Using the theories of performance, political economy and symbolic analysis, this work shows how elements of African, European and South American cultures interact to produce a unique understanding of the colonial and post-colonial experience.
"We have a magnificent group of veteran and talented young calypso and Soca artists. The orchestra, The Sunshine Band, is led by Don Diaz, son of the famed Cyril Diaz," explains Michelle Young, coordinator of the Festival & Tent. "Fans of every age and nationality will enjoy five tantalizing nights of strictly calypso and soca plus celebration of Trinidad & Tobago 51st independence birthday." "Come show love and support to our artists that live amongst us," says Yankey Boy who sang in the 2013 Trinbago Unified Calypsonian Organization (TUCO) Calypso Tent and in this year's Trinidad and Tobago (International) Soca Monarch.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
341 p., Examines the long-running debate between the proponents of Afro-Cuban cultural manifestations and the predominantly white Cuban intelligentsia who viewed these traditions as "backward" and counter to the interests of the young Republic. Includes analyses of the work of Felipe Pichardo Moya, Alejo Carpentier, Nicolás Guillén, Emilio Ballagas, José Zacarías Tallet, Felix B. Caignet, Marcelino Arozarena, and Alfonso Camín.
Washington DC's Caribbean Carnival, which is in its 11th year, takes more than 500,000 Caribbean people "back home" with its parade of life, color and unity. To the dismay of many attendees, the parade moved from its original home on Georgia Avenue to the downtown area, where the white, business-class atmosphere with its federal buildings made some feel as though their culture was an exhibit in an art museum.
Focuses on black women's experiences of the annual African-Caribbean carnival in St. Paul's, Bristol, as a potential site of resistance. Looks at how black women challenge conceptions of space on three levels: nationally, locally and within the street. These three spatial levels are permeated by notions of resistance: resistance to dominant notions of Englishness, to representations of place, and to gender roles. Focuses on carnival's potential to contest hegemonic discourses, to denaturalise them and to expose them as partial.
