In her book Louisiana, Erma Brodber reflects on the alliances that should exist between the African American and Afro Caribbean peoples, symbolically repairing the fissures that exist between the two, while addressing an uncommon subject in Caribbean migrant literature. Brodber's literary themes toward the unification of the relationships shared amongst the black diaspora articulate the legal tensions and national differences that can impede these alliances. Although Brodber's novel approaches this by creating a reconnection of the African diaspora in a borderless and nationless transmigration, and sometimes through a spaceless spirit world, Page argues that in reality this reunification is affected by the rules of the state that simply cannot be ignored.;
Watson investigates the emigration of indigenous Amerindians in the West Indies during the period 1834-1900 and their replacement with enslaved Africans. After the emancipation of the slaves in 1833, the poor whites, who used to perform militia service on plantations in the West Indies, were forced to emigrate due to lack of employment opportunities.;
Explores the way writers address the formation and fate of the contemporary American working class in an age of neoliberal globalization. Specifically, the essay examines Russell Banks's 1985 novel Continental Drift, which interweaves the stories of two characters who pull up stakes and head to Florida in search of a better life: an oil furnace repair man from New Hampshire and a young, single mother from Haiti.
Examines the women who became involved in Cuba's slave resistance movements of 1843 and 1844, drawing attention to those who molded that resistance in visible and public ways and those whose involvement has often been obscured or unnoticed. The narratives created around Fermina and Carlota Lucumf, two leading figures in the 1843 insurgencies, both rupture and complicate the masculine discourse around slave-movement leadership that has been central to historiographies of slave rebellion.
Reads Carnival-related performances in relationship to the colonial and national histories of the circulation of Indian and black women's bodies in Trinidad and Tobago, asking what is at stake in these occupations of genre, form, and performative presence in the latest global scenes of late capitalism (where image and sound, as cultural productions, are always in circulation beyond the scope of the nation, and their own "original" referents).
Personal reactions of women to the January 2010 earthquake in Haiti. Discusses the psychic trauma of living in the Haiti's displacement camps after the earthquake regarding poor access to water, violence against women and instances of forced eviction.
