African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
284 p., Explores Cuba's hip hop movement as a window into the racial complexities of the island's ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), the author examines the ways these young artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing Afro-Cuban marginalization and long held perceptions of Cuba as a non-racial nation.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
358 p., Examines the contemporary intellectual, social, economic, and cultural trajectories of Caribbean nations in light of the challenges the region as a whole has faced in the postcolonial era. By focusing on changes since the 1990s in the context of intellectual roots and movements of the past, this manuscript helps define the future course of studies in the field with regard to an empirically-valid, coherent assessment of a complex region.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
359 p., Rather than hewing to labor uprisings in the 1930s as the generative moment for West Indian nationhood, the author begins with political and social conflicts from the late nineteenth century to argue that efforts to create a federation in the British Caribbean were much more than merely an imperial or regional nation-building project. This manuscript highlights the significant connections between Caribbean federation and other anticolonial struggles of the black diaspora.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
394 p., Covers the period between August 1921 and August 1922. During this particularly tumultuous time, Garvey suffered legal, political, and financial trouble, while the UNIA struggled to grow throughout the Caribbean.
Philadelphia, PA: University of Philadelphia Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
217 p., In the 18th century, Bridgetown, Barbados, was heavily populated by both enslaved and free women. Recounts the lives of enslaved women in 18th century Bridgetown, Barbados, and their conditions of confinement through urban, legal, sexual, and representational power wielded by slave owners, authorities, and the archive.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
237 p., The Cuban writer Nicolás Guillén has traditionally been considered a poet of mestizaje, a term that, whilst denoting racial mixture, also refers to a homogenizing nationalist discourse that proclaims the harmonious nature of Cuban identity. Yet, many aspects of Guillén's work enhance black Cuban and Afro-Cuban identities. Miguel Arnedo-Gómez explores this paradox in Guillén's pre-Cuban Revolution writings.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally released in 1990 as a motion picture. Based on the theatrical work: Maria Antonia by Eugenio Hernandez Espinosa., 1 videodisc (100 min.), A story of love, passion, resentment, and revenge set in pre-revolutionary working-class Cuba. Maria Antonio, in a role based on Oshun, the love goddess in the religion of the African Yoruba people, is driven to a crime of passion.
