Explores the routes followed by ideas and practices related to the body emerging in seventeenth-century Caribbean locales like Cartagena de Indias and Havana. Mobile and interconnected Spanish Caribbean ritual practitioners of African descent, using oral tradition, performance, and material culture, functioned as the most important links for the diffusion of ideas about corporeality in the region.
Focuses on the performativity of Black beauty shame as it transforms or intensifies the meanings of parts of the body in Jamaica and its UK diaspora. Uses extracts from interviews with UK Jamaican heritage women. The women’s critique of the shaming event shows that shame is undone through dis-identification as speakers draw on alternative beauty discourses to produce new beauty subjectivities.
The contemporary backdrop for this essay emphasizes such contexts for future Caribbean studies and particularly for conceiving of Caribbean visual culture. It considers ways the exploration of Caribbean art practices and research of Caribbean visual culture might require reconsideration as global and interconnected structures requiring a transnational and intercultural approach. Insight of contemporary Caribbean visual culture is inextricably linked to circulation of knowledge and production of global culture and visual representation.
A qualitative study was conducted to characterize gay men in Barbados, their HIV risk, and the impact of stigma on their lives. The 2 main groups of gay men (“bougies” and “ghetto”) reflect social class and level of “outness” in broader society. Homophobia, stigma, and buggery (sodomy) laws increase their HIV vulnerability. The need for anti-discrimination legislation and tools for self-development were identified for gay men to realize their strengths, develop their self-worth, and protect themselves from HIV.
Proposes a reading of Donna Hemans' novel River Woman in relation to other contemporary Caribbean women writers and to the early fiction of Toni Morrison. Argues that the complex affects that her representation of 'child-shifting' produces can be articulated in relation to literary texts that re-imagine historical and contemporary practices leaving a child in order to save her and in the context of the plantation.
Looks at the performance of tomboy identity in Joan Anim-Addo's collection of poetry Janie, Cricketing Lady and Margaret Cezair-Thompson's novel The Pirate's Daughter. Argues that the ongoing affects of colonialism and patriarchy in the islands of Grenada and Jamaica, shape the life narratives. To understand the way in which affect can be expressed through tomboyism in Caribbean societies, it is necessary to look at color and class alongside gender in the context of Caribbean creolization.
Discusses various reports including an analysis of the writings of African-Caribbean writer Anne Hart Gilbert, the plantation as a crucial source of difficult affective memory, and sexuality in fiction by Caribbean authors Opal Palmer Adisa and Erna Brodber.
In 1815, two benevolent organizations commenced operation in Antigua, the Female Refuge Society based in English Harbour and the Distressed Females' Friend Society based in St John's. The organizations were run on principle by women and the executive committees were multi-racial. The annual reports of the Female Refuge Society had a profound impact on the direction "of female anti-slavery activism in Britain.
Caribbean women writers such as Erna Brodber and Opal Palmer Adisa often include men in women's liberatory quests as participants. The close connection between sexuality and emotions in this body of writing can be read through a new model of affective feminist reader theory. Women's sexual healing processes in the novels discussed in this article are not solely gynocentric in the Caribbean context: men are often active participants in these processes, and thus also in gender reconfigurations.
The concept of a unified African-Caribbean community or identity is a modern construction in that it emerged in its present guise during the second half of the twentieth century. Prior to this, the identity politics of the ‘black’ people from this region were largely polarized. They were frequently divided along lines of island identities (Jamaica, Barbados, St Kitts etc.). Focusing on the period between 1970 and 1979, this article sketches out the ways in which the black experience within local-level football also contributed to identity change among a particular group of young sportsmen in Leicester.
Attempts to develop ideas concerning the gendering of creolisation and a historicising of affects within it. Addressing affects as 'physiological things' contextualized in the history of the Caribbean slave plantation,seeks to delineate a trajectory and development of a specific Creole history in relation to affects.
Draws on two Caribbean texts, Anim-Addo's Imoinda: Or She Who will Lose Her Name and Philip's Zong!. Discusses how these two Caribbean texts counterwrite the history of the slave plantation by staging and embodying the work of an affective memory drawn from the history of the black subject as a history of being and community.
Examines the sentiment of love among the indigenous Miskitu people along the Honduran and Nicaraguan Caribbean Coast. The Miskitu are a Native American ethnic group in Central America. The people are primarily of African Native American ancestry. Miskitu women historically have held high positions of power in their matrilocal society. Since the lobster-diving industry began in the 1970s, however, gender and power relations have shifted, rendering women more dependent on men who earn wages. Women's loss of power is not only due to the economic changes, but it is also caused by the ideology and discourse of romantic love in Miskitu society.
Discusses the stories of six girls to illuminate three broad types of gender performances that were observed: ‘beauties’, ‘geeks’ and ‘men-john’. Using Francis' concepts of gender ‘monoglossia’ and ‘heteroglossia’, the extent to which these girls were able to resist the normative gender–sexual order and the consequences of conformity/non-conformity are examined.
Suggests that racism was a strategic military liability in the late eighteenth and early nineteenth century wars between Britain and France in the Caribbean. The French Revolution provoked slave uprisings on many of the Caribbean islands. Both the British and French underestimated the black rebels' capabilities and routinely executed black prisoners of war rather than ransoming or imprisoning them. These tendencies made Caribbean campaigns longer and bloodier than they might otherwise have been.
The article critiques several poems by African American poet of the Harlem Renaissance Langston Hughes, including "Ballad of Margie Polite," "Broadcast to the West Indies" and "Good Morning." Hughes' depiction of transnational solidarity between African Americans of Harlem, New York City, New York and blacks of the West Indies, including his use of an imaginary radio broadcast to portray this theme in the poem "Broadcast to the West Indies," is discussed.
Sunday, May 19, Grand Festival Day, things get underway at 1 :30p.m. 'til 8:00 p.m. Visitors will meet local merchants and artisans, and sample the famous gastronomy of the Caribbean and different African countries, all prepared by local and visiting chefs from Caribbean and African restaurants. And like the food and drinks (on sale throughout the day) there will be ample entertainment with a Caribbean and African flavour. Also interactive workshops featuring the African drum experience, steelpan lessons, kite-making and African dance lessons, an AfricanCaribbean teen talent show, Caribbean and African arts and crafts on display, and much more.
Focuses on CLADEM, an organization that has been championing women's rights in Latin America and the Caribbean for over 25 years. With the target date of 2015 fast approaching, attention is turning to what will follow the Millennium Development Goals - the global action plan to reduce extreme poverty across the world. Here, Jessica Woodroffe considers what the future holds, specifically for women's rights.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
33 p., Warns that without an inclusive national pact on critical priorities, President Michel Martelly faces the spectre of a failed presidency, and Haiti risks international abandonment. To finally start the long-promised transformation, Martelly should build on the tenuous Christmas Eve 2012 agreement for a credible electoral body to hold much delayed Senate, municipal and local polls quickly. He also should bring key actors into a national dialogue on selecting the Constitutional Council and resolving credibility questions about the appointment of the president of the Supreme Court and the Superior Judicial Council, as well as on pursuing other critical short- and longer-term public policies. Figures, Appendixes, References.
225 p., This dissertation is a cultural history of Barbados since its 1966 independence. As a pivotal point in the Transatlantic Slave Trade of the 17th and 18th centuries, one of Britain's most prized colonies well into the mid 20th century, and, since 1966, one of the most stable postcolonial nation-states in the Western hemisphere, Barbados offers an extremely important and, yet, understudied site of world history. Barbadian identity stands at a crossroads where ideals of British respectability, African cultural retentions, U.S. commodity markets, and global economic flows meet. Focusing on the rise of Barbadian popular music, performance, and visual culture this dissertation demonstrates how the unique history of Barbados has contributed to complex relations of national, gendered, and sexual identities, and how these identities are represented and interpreted on a global stage. This project examines the relation between the global pop culture market, the Barbadian artists within it, and the goals and desires of Barbadian people over the past fifty years, ultimately positing that the popular culture market is a site for postcolonial identity formation.
The Caribbean island of Carriacou was ceded to the British by the French after the Seven Years’War (1763). Carriacou’s population of Englishmen, Frenchmen, Scots, and free people of color, along with their enslaved workers, comprised a distinctive slaveholding society in comparison to that of the old British colonies.
193 p., Kwame Dawes coined the term "reggae aesthetic" to explain the paradigm shift in 1960s-70s Caribbean literature that also dovetailed the rise of reggae music in Jamaica. By exploring the impact of popular music on the social developments in late 1960s and early 1970s Jamaica, Dawes offered a new method of Caribbean literary analysis reminiscent of the extant blues tradition in African American literature--similar to the way that reggae music borrows from the blues--and in so doing, highlighted the artistic and cultural influences that link people of color across the "Black Atlantic." This dissertation builds on Dawes's theory by exploring the history and function of music as an aesthetic form and narrative trope in literature of the Black Atlantic. Blues and reggae in contemporary fiction manifest the oral tradition in African storytelling.
Discusses the relationship between economic conditions and discourses surrounding partner choice in Cuba. Holds that economic changes caused by the collapse of the Soviet Union have necessitated strategies economic survival which differ from previously-held ideals of romantic partnerships. Suggests that anxieties surrounding changes in gender and kinship relations also reflect broader concerns about Cuba's social and economic hierarchies and the future of socialism.
-, Jamaica, in 2007, led the call for the UN to erect a permanent memorial, which UN Secretary General Ban Ki-moon said would acknowledge the struggles of the millions of Africans who, over more than three centuries, 'were violently removed from their homelands, ruthlessly abused and robbed of their dignity'. As was the case in 2007, Jamaica took centre stage on Day One of the 68th session of the UN General Assembly. The country's permanent representative to the UN and chair of the Permanent Memorial Committee, Ambassador Courtenay Rattray, was the one who announced the Ark of No Return', done by Roger Leon, as the winning design.
Spectacular and devastating were the two words being used in abundance last Saturday night, as fans described the fourth-round knockout victory scored by World Boxing Association (WBA) featherweight champion, Jamaica's Nicholas 'The Axeman' Walters, over Mexico's Alberto Garza at the American Bank Center, in Corpus Christi,Texas.
"It's different because there is nothing like it," she said. "Hollywood wants the high drama, the fight, the ridiculous conflicts, shock behavior. We bring none of that to the production.
Waterhouse had the better of the champions on the previous occasions they met, and as Harbour View's closest rivals, a win over them would have given Waterhouse something to hold on to. [Nicholas Beckett] was adamant that they would not be beaten, and especially not at their home ground. Amid celebrations of players, club officials and spectators, Harbour View Football Club's captain, Montrose Phinn (left), is presented the Red Stripe Premier League (RSPL) trophy by (from second left) Edward Seaga, chairman, Premier League Clubs Association, Erin Mitchell, brand manager, Red Stripe and Captain Horace Burrell, president, Jamaica Football Federation, following the Monday Night R5PL match between the east Kingston team and Waterhouse at Harbour View Stadium. Harbour View won 2-0. "One of the Waterhouse defenders was saying to watch me because I am good in the air. I turned back, giving the impression that I was not interested and then peeled off and headed back in to score," said Beckett of his fourth goal of the season.
His season-opener, which is just six centimetres off the A standard mark of 66 metres, saw [Jason Morgan] being ranked number one in the world at the time. He has since been supplanted by Australia's 22-year-old phenom, Julian Wruk, who since March 30 has recorded throws of 66.0lm, 66.05m and 66.32m. Morgan's mark now ranks him the second-best thrower in the world this year.
'It wasn't easy," said Jamaica coach Winfried Schäfer. "Costa Rica are a very good team. At 1-0 down, I change team. The goalkeeper did well in the first half and not too well in the second half. We still have [a] chance. Next game is against US in US in a month's time. We thank 'Tuffy'." Striker [Jermaine] 'Tuffy' [Anderson] hails the Jamaican crowd following the 1-1 draw against Costa Rica in CONCACAF World Cup Qualifying action at the National Stadium. Anderson scored for Jamaica.
A critical analysis of Henry Louis Gates, Jr.'s PBS documentary film series Black in Latin America. The author discusses the conceptualization of blackness in the Dominican Republic.
Explores dynamic changes in network size and composition by examining patterns of older adults' social network change over time, that is: types of movements; the reason for the loss of network members; and the relation of movement and composition in concert. This study is a 6-year follow up of changes in the social networks of U.S.-Born Caucasian, African-American, and Caribbean older adults.
It is therefore in keeping with this understanding and resolve that we are hereby calling upon the black Prime Minister of Barbados, Freundel Stuart, the black Opposition leader of Barbados, Mia Mottley, the black Minister of Foreign Affairs, Maxine Mc Clean, the black Anglican bishop of Barbados, John Holder, the Black bishop of the Roman Catholic church, Charles Gordon, the black leader of the labor movement, Sir Roy Trotman, and the black leader of the women's movement of Barbados, Marilyn Rice- Bowen, to issue strong and forthright official statements denouncing the ruling of the Constitutional Court of the Dominican Republic.
Roper,Garnett L. (Editor) and Middleton,J. Richard (Editor)
Format:
Book, Edited
Publication Date:
2013
Published:
Eugene, OR: Pickwick Publications
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
222 p., Here a group of evangelical Caribbean theologians discuss how the gospel addresses the Caribbean context. They are joined by other theologians from mainline Protestant and Catholic traditions in the Caribbean. The result is an ecumenical dialogue on the diverse ways in which orthodox Christian faith may provide both challenge and hope for the Caribbean context. Half the essays in this volume were originally presented at the Forum on Caribbean Theology held in 2010 at the Jamaica Theological Seminary; the rest were invited especially for this volume.
Examines the relationship between acculturative stress and depressive symptoms among Haitian immigrant generation women in the United States. Recommendations highlight methods for integrating assessment, therapeutic approach and the client's background when making decisions about treatment as well as other areas of which the therapist may need to be aware when providing culturally appropriate therapy to Haitian women.
480 p., By the end of 1825, 6,000 African Americans had left the United States to settle in the free black Republic of Haiti. After arriving on the island, 200 immigrants formed an enclave in what is now Samaná, Dominican Republic. The Americans in Samaná continued to speak English, remained Protestant (in a country of devout Catholics), and retained American cultural practices for over 150 years. Relying on historical archaeological methods, this dissertation explores the processes of community formation, maintenance, and dissolution, while paying particular attention to intersections of race and nation.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
322 p., Kweh-kweh is an African Guyanese pre-wedding ritual system that emerged among African slaves in Guyana and historically functioned as a medium for music-centered matrimonial instruction for soon-to-be-married couples. The ritual is executed on the eve of a wedding ceremony and encompasses music, dance, proverbial speech, and a plethora of ritual practices that allow participants to chide, praise, and instruct the bride and groom and their nations (relatives, friends, and representatives) on matters of marriage. However, kweh-kweh performances also reveal embedded values of the Guyanese community, such as what it means to be a "real man" or a "proper woman." African Guyanese hold conflicting views on kweh-kweh, but at the onset of a wedding, they devise ways to celebrate kweh-kweh, a "pagan" ritual they also regard "our culture." This work demonstrates how African Guyanese manipulate the kweh-kweh ritual, their religious values, and themselves to articulate the complex of their identities, particularly racial and gendered identities.
"I think we will do fairly well," said [Aiken]. "I think we have a good set of girls going over there that will do us very proud. We know the task ahead, and we know what we are going to come up against, and so we just need to put it together as a team," added Aiken, who plays for the Queensland Firebirds in the ANZ Championships in Australia and New Zealand.
On Christmas Day 1521, in the Spanish colony of Santo Domingo, the first recorded slave revolt in the Americas occurred. A group of African, likely Wolof, slaves came together with native Indians led by the Taino cacique Enriquillo to assert their independence. Beyond being the first slave revolt in the Americas, it was also one of the most important moments in Colonial American history because it was the first known instance when Africans and Indians united against their Spanish overlords in the Americas.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
223 p., "This collection is wide-ranging, moving from the Caribbean (Jamaica in particular) to Cambridge, England, and from poetry to sex to discrimination." -Library Journal
271 p., Uses W.E.B. Du Bois' reference to the worlds 'within and without the veil' as the narrative setting for presenting the case of an African-Bahamian urban cemetery in use from the early 18th century to the early 20th century. The author argues that people of African descent lived what Du Bois termed a 'double consciousness.' Thus, the ways in which they shaped and changed this cemetery landscape reflect the complexities of their lives. Since the material expressions of this cemetery landscape represent the cultural perspectives of the affiliated communities so changes in its maintenance constitute archaeologically visible evidence of this process. Evidence in this study includes analysis of human remains; the cultural preference for cemetery space near water; certain trees planted as a living grave site memorial; butchered animal remains as evidence of food offerings; and placement of personal dishes on top of graves.
IATI is a New York-based, nonprofit performing arts organisation, established in 1968, dedicated to serving both English and Spanish-speaking audiences of all ages. Its productions aim to be both play and provocateur, combining the prose of Gabriel Garc'a Marquez with the intrigue of Borges and Cortázar.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
254 p, Explores the forms of personhood that developed out of New World plantations, from Georgia and Florida through Jamaica to Haiti and extending into colonial metropoles such as Philadelphia. Allewaert's examination of the writings of naturalists, novelists, and poets; the oral stories of Africans in the diaspora; and Afro-American fetish artifacts shows that persons in American plantation spaces were pulled into a web of environmental stresses, ranging from humidity to the demand for sugar.
Browne,David V. C. (Author) and Carter,Henderson (Author)
Format:
Book, Whole
Publication Date:
2013
Published:
Kingston, Jamaica: Ian Randle
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
228 p, A key text for students pursuing the Caribbean Advanced Proficiency Examination. Each chapter contains document-based questions, short-response questions and suggestions for further reading, in addition to a list of references. There is also a 'things to consider' section which is designed to sharpen students' inquiry skills and encourage reflection on the current state of historical thought and research.
321 p., Locates contemporary articulations of afrofeminismo in manifold modes of cultural production including literature, music, visual displays of the body, and digital media. Examines the development of afrofeminismo in relation to colonial sexual violence in sugar-based economies to explain how colonial dynamics inflect ideologies of blanqueamiento/embranquecimento (racial whitening) and pseudo-scientific racial determinism. In this context, the author addresses representations of the mujer negra (black woman) and the mulata (mulatto woman) in Caribbean and Brazilian cultural discourse.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
661 p., Focuses on the diffusion of Cuban popular musical styles throughout the Americas as well as the creation of new hybrids in places such as Puerto Rico, the Dominican Republic, Mexico, Colombia, Venezuela and Latin New York. Students, scholars and librarians will find Baila! to be an essential resource on Afro-Latin music and dance, language, literature, aesthetics, and more.
Morgan,Gwenda Auteur (Author) and Rushton,Peter (Author)
Format:
Book, Whole
Publication Date:
2013
Published:
London: Blooomsbury
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
309 p., This book places banishment in the early Atlantic world in its legal, political and social context. Contents: Part one. Diverse patterns of banishment in Britain and Ireland --Part two. Continuity and change: British North America and the Caribbean.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
203 p., Argues for grounding the concept of global subaltern resistance in the legacy of the 1966 Tricontinental in which delegates from the liberation movements of 82 nations came together in Havana, Cuba to form an alliance against imperialism. This alliance, called the Organization of Solidarity of the Peoples of Africa, Asia and Latin America (OSPAAAL) quickly became the driving force of international political radicalism and the primary engine of its cultural production. Because the Tricontinental represents the extension into the Americas of the anti-imperialist union of Afro-Asian nations begun at the 1955 Bandung Conference, it points to a moment in which a diverse range of radicalist writers and artists in the Americas began interacting with its discourse. By tracing the circulation of the Tricontinental's ideology in its cultural production and in related texts from Third Cinema, Cuban Revolutionary film, the Nuyorican Movement, and writings by Young Lords and Black Power activists, Beyond the Color Curtain outlines how tricontinentalists laid the groundwork for a theory of power and resistance that is resurfacing in the contemporary notion of the Global South.
